Paris Fashion Week is due to run until March 3,
with major brands including Chanel and LVMH's Louis Vuitton yet
to put on their displays.
At Valentino, another highlight in the calendar, models strutted
the runway in a series of black outfits, some decked out in
sequins, others in more delicate lace designs.
The somber looks were offset by splashes of fiery red here and
there - from a ruffled clutch bag to long gloves - while
designer Pierpaolo Piccioli ended the show with airier tones,
including some sparkly mesh gowns.
Some workers at the scene wore black face masks as they put the
final touches to the seating and set before guests arrived.
The fast-spreading coronavirus outbreak, which originated in
China, has pushed organizers of some major global events to
cancel as a precaution, and France on Saturday put a temporary
ban on gatherings of more than 5,000 people.
Fashion shows tend to be smaller, with several hundred people
attending at most.
Many Chinese journalists and fashion bloggers were absent in
Paris this season due to travel restrictions, however, while
French label Agnes b. on Friday became the first non-Chinese
fashion house to cancel a presentation due to the outbreak.
Earlier on Sunday, Japanese designer Issey Miyake turned a
school courtyard into a runway for his fashion show, where
models showed off striking black and white styles that made them
look like they were wearing paper cutouts.
The fall-winter collection also featured futurist looks with a
folded jumpsuit evoking Japanese origami.
The show closed with a riot of color in a choreographed parade
of male and female models wearing genderless garments, with
jumper sleeves that were attached to one another to form a long
human chain.
"By linking people's knitwear, it's like forming a chain between
past, present and future," designer Satoshi Kondo told Reuters
after the show. "I wanted to show people's positivity in being
connected ... and I wanted to express diversity through
different fabrics and colors."
(Reporting by Laetitia Volga and Sarah White; Editing by Ros
Russell)
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