Marching to the beat of her own drum: Kenyan breaks gender taboo
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[March 06, 2020]
By Ayenat Mersie
NAIROBI (Reuters) - Standing outside a cow
pen in an east Kenyan village, six-year old Kasiva Mutua started to
notice rhythms.
The wind blowing, a goat bleating, distant laughter. And where they
crisscrossed - more rhythm.
Mutua, now 31, felt she had a special relationship with sound and tempo
– one that propelled her to become Kenya's leading female percussionist
in a country where drumming was long considered taboo for women.
She started playing percussion seriously in high school, after seeing
the rare sight of a female drummer.
"What she was doing called me. Like when people say the lord has called
them – it called me in that manner," said Mutua, who has a gap-toothed
smile under short black dreadlocks and a silver hoop nose ring.
She began performing gigs in Nairobi, but found it challenging - most of
the men who dominated the industry offered little support.
"Once a man asked me – 'How do you think you look like, holding that
drum between your legs? You need to sit like a lady,'" Mutua told
Reuters after a gig in the Kenyan capital.
FOREIGN FAME
She persisted, finding international success.
In 2016, she toured Europe with The Nile Project, a collective of
musicians from countries that feed into or lie along the world’s longest
river.
These days, she plays on instruments ranging from electric drums to
traditional hide stretched over wood.
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Percussionist Kavisa Mutua and the founder of an all female
percussionist group, Motra, attends a training session at the Kenya
National Theatre in Nairobi, Kenya February 25, 2020. REUTERS/Njeri
Mwangi
"From buckets to 'sufurias' (pots) to desks to car bonnets. Car
bonnets!" she exclaimed in a recent interview in the Kenyan capital.
In 2017, she was asked to give a talk at the prestigious TedGlobal
event in Tanzania about her mission to teach the importance of the
drum to young boys and girls.
"Women can be custodians of culture, too," she argued - and proved
it by starting an all-female percussion group called Motra to
combine the words modern and traditional.
For three years, the Nairobi-based collective has offered lessons
and mentorship to women interested in drumming.
"It became a sisterhood," she said proudly.
Group member Evelyn Githina said she had been searching for
something like Motra for a long time.
"It's just fulfilling," Githina said. "You've heard it all about
guys doing it better, but we know for sure we can do it better."
(Reporting by Ayenat Mersie; Editing by Maggie Fick and Andrew
Cawthorne)
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