"Onward," a fantastical adventure about two brothers (voiced by
Tom Holland and Chris Pratt), ranks among Pixar's lowest opening
weekend's in modern times, joining 2015's "The Good Dinosaur"
and its $39 million as a rare blemish for the Disney-owned
company, known for producing hits such as "Inside Out," Coco"
and Up." Pixar films typically cost $175 million to $200 million
to produce, a huge sum that doesn't include global marketing
fees.
Directed by Dan Scanlon, "Onward" received mostly positive
reviews, though it didn't welcome the kind of rapturous
reception that greets most Pixar titles. Still, "Onward" looks
to benefit in coming weeks as one of the few options for family
audiences. It scored an "A-" CinemaScore, signaling that
moviegoers enjoyed the film.
"Pixar has earned an incredible reputation for delivering
quality to audiences, and based on their response, they are
being touched by it," said Cathleen Taff, Disney's president of
global distribution. "We're excited to see such good
word-of-mouth. That bodes well for the life of its run in
theaters."
This weekend's other high-profile release, Warner Bros.' sports
drama "The Way Back," also fell short of expectations. But box
office experts suggest it was the movies themselves -- not fears
of coronavirus -- that stifled ticket sales. "Onward" was
tracking an opening between $40 million and $45 million even
before threats of coronavirus in North America.
"I think there was zero impact," Paul Dergarabedian, a senior
media analyst with Comscore, said. "With $40 million for
'Onward,' a small drop off for 'The Invisible Man' and 'The Way
Back' getting solid scores from audiences, it looks like people
are in the habit of going to the movies."
Overall box office receipts are down 50% from the same weekend
last year, an inevitable dip given last year saw "Captain
Marvel" arrive with a huge $153 million. That drastic dip pushed
the year-to-date box office down almost 2%, the first
year-over-year decline in 2020.
"The Way Back" brought in $8.5 million when it launched in 2,718
theaters, enough for third place on box office charts. It's a
lackluster start given its A-list leading man, but an
improvement from Warner Bros. recent mid-budget duds like "The
Good Liar" ($5.6 million) and "The Kitchen" ($5.5 million).
The film, which cost roughly $21 million to make, was poised as
a big-screen comeback for Affleck. His performance as an
alcoholic construction worker who is recruited to become the
head coach of a high school basketball team has been praised,
but it didn't get the level of reception that smaller dramas
need these days to make an impact at the box office. Among
opening weekend crowds, 64% were over the age of 35. Jeff
Goldstein, Warner Bros.' president of domestic distribution,
noted it's a demographic that doesn't usually rush out on
opening weekend.
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"Our reviews were really strong and we have a 'B+' CinemaScore, so
we're in a really strong place," Goldstein said. ""The story gears
toward an older audience that doesn't rush out. I think we can
capture an older audience, assuming a coronavirus scare doesn't keep
audiences away."
In second place, Universal and Blumhouse's "The Invisible Man" added
$15.5 million in its second outing for a cumulative total of $52.6
million. Internationally, the Elisabeth Moss-led thriller generated
$17.3 million. Its box office receipts currently stand at $98.3
million, already a win for the studio since it cost just $7 million.
Paramount's "Sonic the Hedgehog" landed at No. 4, bringing in
another $8 million. After four weeks in theaters, the animated
family film has made an impressive $140 million. The blue speed
demon, voiced by Ben Schwartz, has also been a draw overseas, where
it has made $154 million. Globally, "Sonic" is nearing the $300
million mark with ticket sales currently at $295.6 million.
Disney's "The Call of the Wild" rounded out the top five, pocketing
$7 million in its third frame. The adaptation of Jack London's
novel, starring Harrison Ford and a CGI dog named Buck, has
generated $57.5 million in North America and $99.6 million
worldwide, a weak result because the film cost a head-scratching
$125 million to make. Given the high price tag, sources estimate
"The Call of the Wild" needs to earn between $250 million and $275
million to get out of the red. At this point, it will be difficult
to reach those heights so "The Call of the Wild" is expected to lose
around $50 million.
Among indie releases, A24's "First Cow" made $96,059 when it opened
in four venues -- translating to $24,015 from each location.
Directed by Kelly Reichardt, the film is set in the Pacific
Northwest and follows a 19th century cook who travels with fur
trappers to the Oregon Territory. It will continue its platform
release next weekend before opening nationwide in the spring.
Sony Pictures Classic's "Burnt Orange Heresy" had a rocky start in
limited release, bringing in $18,296 from four screens for a
theater-average of $4,574. The heist thriller stars Claes Bang,
Elizabeth Debicki and Mick Jagger.
Elsewhere, Focus Features' "Emma" amassed $5 million when it
expanded to 1,565 theaters, bringing its domestic tally to $6.8
million. The adaptation of Jane Austen's novel also earned $1.5
million this weekend at the international box office for a global
bounty of $20.9 million.
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