The 32-year-old, known for his provocative
performances criticizing communist authorities, has been put in
"preventive prison" awaiting trial on charges of insulting
national symbols and damaging property, according to his partner
and art curator Claudia Genlui.
The insult charge, which carries a one-year prison sentence,
came after the self-described "art-ivist" draped himself in the
Cuban flag for a month last year, including in the bathroom,
documenting his performance with photos and videos.
Genlui said she did not know what property he was being accused
of damaging but that was a more serious offense carrying a
sentence of two to five years. His supporters have called this a
trumped-up charge to portray him as a common criminal rather
than a victim of censorship.
The Cuban government, which usually does not comment on police
activity like the detention of dissidents, did not respond to a
request for comment. But one pro-government blogger published a
post on the "new hero of the counterrevolution," accusing him of
being a U.S.-backed mercenary.
Otero Alcantara has been detained dozens of times at police
stations over the past few years but never for more than 72
hours, and he had never been thrown in jail, Genlui said.
While more than 3,000 people including prominent Cuban
intellectuals, artists and opposition activists have signed an
online petition calling for his release, dozens of public
figures have gone on social media to criticize what they call
authorities' heavy handed actions.
These include even some staunch defenders of Cuba's 1959
revolution such as folk singer Silvio Rodriguez and
painter-sculptor Alexis Leiva "Kcho," who was friendly with late
revolutionary leader Fidel Castro.
"We are giving a very sad impression of backwardness, of the
Middle Ages," Rodriguez wrote on his blog. "How, in the middle
of the 21st century, are we going to put ideological brakes on
young artists?"
"Let's stop this now! We do not need it and the future of Cuba
is freedom, not censorship," wrote Leiva on Facebook.
(Reporting by Sarah Marsh and Nelson Acosta; Editing by Richard
Chang)
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