Inside the tents, some of the patients, all
battling the coronavirus, watched through plastic windows and,
if strong enough, danced and swayed along with them.
Abolaji Banjoko, a 32-year-old also known as BeejaySax,
typically would have spent the day playing to a crowd of
thousands at a packed megachurch in Nigeria's thrumming
commercial capital.
But this was no ordinary Sunday. Lagos was under lockdown, mass
gatherings were banned and Banjoko and his musicians were under
special orders from the state to play their gospel tunes to try
to speed the recovery from a virus that has killed hundreds of
thousands worldwide.
"The purpose was to lift the spirits – to deliver spiritual
healing," Banjoko said. "That was greatly achieved."
The virus is still spreading though the capital, the epicentre
of the outbreak in Africa's most populous nation, upending life
for its 20 million residents and stretching government
resources.
On Monday, there were 2,558 confirmed cases in Nigeria, home to
large Christian and Muslim communities, 1,107 of them in Lagos.
Music plays an integral role in Nigeria, the nation of Fela Kuti,
Afrobeats and a steady stream of chart-topping artists including
WizKid, Davido and Burna Boy. Thumping gospel at weekly church
services propels congregants to feel the power of God.
Akin Abayomi, Lagos state's health commissioner, launched the
Art4life project last year to add music, painting and poetry to
the healthcare arsenal. Now it includes weekly concerts outside
coronavirus isolation and treatment centres.
Abosede Lewu, a Lagos doctor, called the initiative essential.
"If we have something that can stimulate people fighting back,
which you cannot quantify in terms of the number of pills or
whatever you give ... we have to encourage it," she said.
Peter Oluwadare, a 23-year old violinist, said it was scary to
be so close to the pandemic but said the music helped him
conquer his fear.
"It was refreshing to see the affected people and healthcare
workers, you know, revitalised with the music," Oluwadare said.
"I feel so honoured to play there."
(Reporting By Nneka Chile and Libby George, writing by Libby
George; editing by Nick Macfie)
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