"I've been in auctions for over
15 years, and we've never had a collection of
Gerry Anderson items this big in one auction,"
Alastair McCrea, auction house Ewbank's
entertainment and memorabilia valuer, told
Reuters.
The bulk of the sale is items from 1980s science
fiction show "Terrahawks" as well as some pieces
from "Captain Scarlet" and pilot show "Space
Police".
They include a rare surviving puppet head for
character Captain Ochre from the original 1960s
Captain Scarlet series expected to go for
between 5,000-8,000 pounds ($6,500-$10,500) and
a model battlehawk from "Terrahawks" which was
one of the shows' key ships, and is likely to
fetch 4,000-6,000 pounds ($5,270-$7,900).
Anderson was not known for keeping his puppets
and models after filming.
"They usually just destroyed everything," McCrea
said.
However a former employee called Julian Bell who
worked as a driver at Bray Studios where "Terrahawks"
was made, kept some items.
"He was a massive Gerry Anderson fan. And he
collected these items when he worked there, and
he kept it all in his flat near Windsor, and he
kept it until he sadly passed away last year,"
McCrea said.
Anderson's son and director of Anderson
Entertainment, Jamie Anderson, told Reuters they
were lucky it was all saved.
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"Dad would have thought it was
ridiculous at the time. He would have thought
'come on, this guy's just hoarding junk'. But it
turns out it's not junk."
"What an amazing collection and what a sizeable
one to preserve for all that time," he said.
The whole collection is
expected to be sold for around £150,000 in the
online auction on Nov. 30.
Gerry Anderson, who died in 2012, started his
television career in the 1950s. His company AP
Films pioneered the "supermarionation" puppetry
technique with the fusion of marionette figures
and small-scale models to create live
action-style shows.
Speaking about "Terrahawks", which is set in the
year 2020, Jamie Anderson said it was not his
father's "proudest show" but he loved elements
of it.
"And we're really lucky that a fan as passionate
as Julian worked for Anderson Burr Pictures at
the time, and Dad's companies a bit later on,
that he had the foresight to save it."
(Reporting by Sarah Mills and Will Russell,
Editing by Angus MacSwan)
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