Martin Sheen - who played the liberal-leaning
U.S. President Jed Bartlet on the show - reunites with fictional
White House staffers portrayed by Bradley Whitford, Allison
Janney, Rob Lowe, Dule Hill, Janel Maloney and Richard Schiff
for a one-off special to promote voting.
"A West Wing Special to Benefit When We All Vote," to be
broadcast on HBO Max on Thursday, is a staged theatrical
performance of an episode from 2002, called "Hartsfield's
Landing," in which the cerebral Bartlet plays chess with his
aides while awaiting the results of a state primary election and
dealing with a brewing crisis over Taiwan.
"West Wing" creator Aaron Sorkin said it was chosen "because the
episode ended with a feeling that we wanted the audience to
have. A feeling about voting."
While Sorkin wrote no updates to the script, the likes of former
President Bill Clinton, former first lady Michelle Obama and
"Hamilton" musical creator Lin-Manuel Miranda will appear during
commercial breaks "giving information about voting, knocking
down some untruths about voting, and doing it in their own
style," Sorkin said.
Sorkin said he was a firm believer in the influential power of
movies and television in shaping ideas, but said "The West Wing"
would be no different if he was writing it in today's political
environment.
"What the show was always about was a workplace drama set in a
very interesting workplace," Sorkin said.
"In our popular culture, our elected leaders are portrayed
either as Machiavellian or as dolts. So I thought, what if there
is a show where these people are every bit as confident and
dedicated as doctors and nurses on a hospital show or the
lawyers on a legal drama."
"The West Wing" ended its seven-year run in 2006 after winning
more than 20 Emmy Awards. The special was shot as a play in an
empty theater in Los Angeles under coronavirus guidelines.
"This Is Us" star Sterling K. Brown takes the role of chief of
staff Leo McGarry following the death in 2005 of actor John
Spencer.
"It was moving to have everybody back together," said director
Thomas Schlamme. "What was stunning to me was how quickly these
actors slipped right back into their characters."
(Reporting by Jill Serjeant; Editing by Richard Chang)
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