The director of the Cannes
festival, the world's biggest, and his
counterparts for the Berlin, Rotterdam, San
Sebastian, Locarno, Karlovy Vary and London film
festivals made the trip to Venice for the first
such international event to take place since the
health crisis all but shut down the movie world.
"It's not for us, everything that we're doing
and are trying to do... It's for the work, it's
for the films, it's for the directors," said
Cannes chief Thierry Fremaux, whose own festival
could not go ahead as planned earlier this year.
"During our conversation in March, all of us,
felt the great solitude of the artists, who also
wondered what would happen. So much filming
stopped, lots of releases were cancelled and the
very idea that the festival could go on, while
cinemas were closed ... did them some good."
Australian actress Cate Blanchett, who heads the
prize-awarding jury in Venice this year, said
she also wanted to show support for film-makers
who had to complete their movies in challenging
circumstances.
"It's so great that there's so many heads of
festivals all over the world coming to support
Venice and realising that, in fact, it's ...
supporting various different facets of the same
industry," she said.
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"I think it feels very
collegiate, actually, in a way that maybe it
hasn't before. Less territorial."
Film festivals are often in informal competition
to show the most hotly-anticipated new releases.
Blanchett and Venice director Alberto Barbera
highlighted the growth of streaming platforms
during months of lockdown and the negative
effect this could have on cinemas.
"Today we risk going towards a progressive
reduction of the role of movie theatres," said
Barbera.
With coronavirus cases rising again in Italy and
elsewhere, a strict safety protocol has been put
in place, including the wearing of face masks
while watching films.
There are 18 titles competing for this year's
Golden Lion award for best film - fewer than
usual. The top prize is due to be handed out
when the festival ends on September 12.
(Reporting by Hanna Rantala and Sarah Mills,
writing by Silvia Aloisi, editing by Alexandra
Hudson)
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