| The pop legend, 80, regularly tweets her 
				thoughts on life, career and fellow musicians, sometimes 
				prompting responses that lead to heartwarming exchanges.
 "If you are very obviously a rapper why did you put it in your 
				stage name?" Warwick asked Chance the Rapper in a tweet. "I 
				cannot stop thinking about this."
 
 "I will be whatever you wanna call me Ms Warwick," Chance 
				responded.
 
 The five-time Grammy Award winner was surprised Chance even knew 
				who she was.
 
 It all started when Warwick saw her nieces and nephews having 
				fun on Twitter and wanted to join in. Once she got the hang of 
				it, Warwick decided how she would use her new platform.
 
 "I'm going to do it when I have an urge to say something or feel 
				that I need to say something and/or ask a question, somebody is 
				going to answer it," she recalled telling her niece who showed 
				her the ropes.
 
 Warwick, who is often referred to now as the 'Queen of Twitter,' 
				relishes bringing positive energy to social media.
 
 "That's one of the things I'm enjoying more than anything else 
				in the world, that everybody's laughing with me, you know, and 
				that I think is something that has been missing," she said.
 
 Warwick is also trailblazing with virtual concerts. Her first 
				was held live from home on Easter Sunday.
 
 "I had a little bit of anxiety, based on the fact that I had not 
				sung in a complete year, and vocal cords are muscles and muscles 
				had to be exercised, and I don't do that," she said.
 
 "I wanted to do a disclaimer, you know, there might be a couple 
				of squeaks, croaks," she said with a laugh.
 
 She will perform a second show on May 9, which is Mother's Day 
				in the United States.
 
 This year Warwick was nominated for the first time to be 
				inducted into the Rock & Roll Hall of Fame, a late recognition 
				after nearly 60 hit songs including "Don't Make Me Over," "Walk 
				on By," and "Anyone Who Had a Heart," and selling over 100 
				million records since the early 1960s.
 
 (Reporting by Alicia Powell; Writing by Richard Chang; Editing 
				by Rosalba O'Brien)
 
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