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The move, just three years after he returned to
Britain to direct the London Symphony Orchestra, comes as
musicians complain that Brexit has limited their professional
horizons, with new visa requirements making it harder to perform
to Europe's music-hungry public.
Rattle, who turns 66 this month and is known for his shock of
white curly hair, shot to prominence in the 1980s when he guided
Britain's City of Birmingham Symphony Orchestra from provincial
obscurity to international renown.
An appointment to run the Berlin Philharmonic, one of the
world's leading orchestras, followed in 2002. Rattle announced
in 2015 that he would return to London, a year before Britain's
vote to leave the European Union.
"My reasons for accepting the role of Principal Conductor in
Munich are entirely personal, enabling me to better manage the
balance of my work and be close enough to home to be present for
my children in a meaningful way," said Rattle.
He still lives with his wife, Czech soprano Magdalena Kozena,
and their children in Berlin.
Rattle, in a statement issued by the LSO, added that he still
planned to carry out major projects before leaving London.
In his last appearance as chief conductor of the Berlin
Philharmonic in summer 2018, on an outdoor stage in a forest, he
expressed sorrow at the outcome of the Brexit referendum.
"Hopefully, Brexit won't last 'Brexeternally'," he told the
audience at the time, before leading the orchestra in a
bittersweet medley of British patriotic favourites including
Edward Elgar's Pomp and Circumstance March No. 1 - Land of Hope
and Glory - and the theme to 1970s sketch show Monty Python.
"He stands like no other for finding new ways of getting people
enthused about music," said Ulrich Wilhelm, head of the Bavarian
Public Broadcaster.
(Reporting by Thomas Escritt; Editing by Gareth Jones)
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