| The NY PopsUp program will serve as a test run 
				for the return of live artistic performances in New York City 
				after the coronavirus pandemic shuttered plays, ballet, opera 
				and concerts in the city.
 "In April, select Broadway theaters ... will open their doors to 
				audiences for the first time since March 12, 2020, with a series 
				of special NY PopsUp programs," organizers said in a statement.
 
 The initiative will "put in motion safety protocols that will 
				eventually be employed for Broadway’s return."
 
 New York officials said on Wednesday that event spaces could 
				reopen at one-third of their capacity, or 100 people indoors, 
				starting on April 2. Testing, masks and social distancing will 
				be required.
 
 A handful of off-Broadway venues with flexible performance 
				spaces will be also be adapted for socially distanced arts 
				events and start opening in April.
 
 “The reopening of these venues will provide the much needed 
				light at the end of this long, dark tunnel," Sade Lythcott, 
				chief executive of the National Black Theatre, said in a 
				statement.
 
 Thousands of actors, dancers, musicians and backstage crew were 
				thrown out of work when Broadway theaters closed. The target 
				date for reopening is currently June 1, although that date may 
				slip. Some shows, including the hit musicals "Frozen" and "Mean 
				Girls" have said they will not return
 
 Live theater is one of the last sectors to come back after the 
				pandemic because of the challenges of social distancing for 
				actors on stage, for crews backstage, and for audiences in 
				cramped seating in old buildings.
 
 New York City has begun relaxing pandemic restrictions in recent 
				weeks due to a fall in coronavirus cases and an increase in 
				supplies of vaccines.
 
 The NY PopsUp program, launched by show business producers Scott 
				Rudin and Jane Rosenthal, began its rollout in late February 
				featuring short, free outdoor performances around New York 
				state.
 
 (Reporting by Jill Serjeant; editing by Jonathan Oatis)
 
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