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			 The Cassidy art was brought to the LAI by the late 
			artist’s good friend and executor to his estate, Matt Erickson. 
			Erickson said he befriended Cassidy in 2003 and the two enjoyed a 
			great relationship relating to each other as artists and loving to 
			spend time talking about their passion. Cassidy was in his 50’s when 
			he died. He had lived the life he wanted to live, supporting his art 
			through his employment, and seeking employment that fed his eclectic 
			Bohemian lifestyle. 
 Cassidy had a Master and Bachelor degree from Bradley University in 
			English. He had four passions, literature, music, film and art. 
			Erickson said Cassidy’s career choice was to earn just enough to 
			support himself and his passions. “He worked at the best used 
			bookstore in town, and the best video store in town while spending 
			all his money on art materials, books, music, and films.” Cassidy 
			died quietly in his home on February 17, 2017, surrounded by those 
			things he loved.
 
 
  
 Entering the LAI gallery, the eye is instantly drawn to the back 
			wall where a 15 piece collage of bright, cheery color has a magnetic 
			appeal, drawing one past all the other works on the side wall to 
			first examine the wall of color.
 
 The wall is a visual definition of Bohemian Art – “bright, 
			patterned, multi-cultural mélange of memorable layers and elements 
			you simply can’t miss or forget for its uniqueness.”
 
 Many of Cassidy’s works are like a grown-up version of “Where’s 
			Waldo.” While the colors draw the eye, the details and somewhat 
			hidden objects within the art are what hold the viewer in place for 
			several minutes examining and delighting when he or she finds yet 
			another hidden component with the piece.
 
 
			
			 
			
			Erickson said that Cassidy had a unique way of creating his art. He 
			worked from multiple directions. Cassidy would begin working on a 
			piece, then out of the blue he would turn his art 90 degrees or even 
			180 degrees and start again with another layer. He once told 
			Erickson that his manner was intentional in that art should be 
			viewed from every direction, and his art could be displayed from any 
			direction. There was no up or down or sideways to his pieces.
 
 
  
 In spite of that analogy, there are some of the works 
			in the gallery that are definitely directional. A fine example of 
			the versatility of Cassidy’s work is his pink, purple, gray and 
			white work entitled “Who’s afraid of Virginia Wolf.” While many of 
			Cassidy’s works feature oranges and yellows, this piece stands out 
			instantly for the color pallet, then draws one in to exam the 
			variety of characters embedded in those colors. Erickson said that 
			Cassidy often modeled his work after a film or piece of literature 
			that he loved.
 
 
  Matt Erickson left, 
			Joe Schaler Right
 
 Walking about the gallery last Thursday evening 
			during the artist reception, Erickson said that even though he has 
			seen and known Cassidy’s works for many years, he still marvels that 
			he can look at a piece he has seen dozens of times and find 
			something new hidden within it.
 
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Guests on Thursday evening had the same experience. As they 
looked at the art, guests would point out what they were finding hidden within 
each piece. 
			 
 
 A favorite piece in the room was one filled with hidden objects, but with one 
whimsical corner standing out. Some viewers thought they saw a chicken, a snake, 
a hat, and a shoe while one saw a very large vulture-like bird.
 
 
 
 But everyone saw the same thing in the upper left corner, a self-portrait of the 
artist himself.
 
 
  
 Just when the observers got to the point where they thought they completely 
understood the artistic style of Cassidy, he threw a curve ball. A still life 
hanging on display features familiar items with very nice detail and highly 
recognizable. But don’t be fooled into thinking that it is a generic piece of 
work. Look a little closer and find the faces that are hidden in plain sight.
 
 Erickson said that Cassidy worked in a number of artistic styles. While what is 
on display at the LAI this month is primarily Cassidy’s Bohemian art, there are 
more than 500 pieces in the collection and they include more still-lifes, 
landscapes, portraiture and more.
 
 Within the exhibit is a collection of other items that Cassidy loved including 
music, books, videos, and his many notes on the subjects of his affection.
 
 
Cassidy worked in hard and soft pastels, and within that collection of items is 
a notebook he used to sample and identify specific colors.
 
  
 Also among the items on display is a handwritten note by Cassidy that might best 
define the man and his art. “You can paint portraits, landscapes or still lifes 
OR you can paint paintings! And this is the exciting thing to do.”
 
 The John Cassidy exhibit will remain on display the rest of this month. All of 
the works within the gallery are for sale. The gallery is open every Friday 
evening from 5 p.m. to 8 p.m. If you haven’t made it out yet, it is definitely 
worth the trip.
 
 [Nila Smith]
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