Cyprus-based Sand Vegas Casino Club and co-founders Martin
Schwarzberger and Finn Ruben Warnke allegedly offered 11,111
NFTs in a "high-tech fraudulent securities offering" to
fundraise to build virtual casinos in the metaverse. They also
erroneously told potential buyers the tokens were not
securities, the Texas State Securities Board said in a
statement.
Sand Vegas promised buyers of its Gambler and Golden Gambler
NFTs they would share in virtual casino profits, forecasting
proceeds of as much as $81,000 each year, the regulators said.
Schwarzberger told Reuters in an email that Sand Vegas is
working toward compliance with Securities and Exchange
Commission (SEC) as well as state regulators.
"We are absolutely confident we can solve this situation and
possibly even lead the way for other NFT projects," he said.
The cease-and-desist order appears to be the first of its kind
tied to internet-based virtual environment platforms,
colloquially known as the metaverse. It also marks a new
frontier for U.S. authorities seeking to clamp down on NFTs,
blockchain-based tokens that represent assets such as a piece of
digital art. Last month, two men were arrested and charged with
scamming NFT buyers worth $1.1 million.
Though this latest case is relatively small, state actions often
spark interest from federal regulators. NFTs have seen a surge
in investor interest, and the Securities and Exchange Commission
(SEC) has not yet offered formal guidance on whether they could
be considered securities in some instances.
A spokesperson for OpenSea, the largest NFT marketplace, said
the firm had disabled buying, selling and transferring of Sand
Vegas tokens because the collections were in violation of the
platform's service terms.
Joe Rotunda, enforcement director at the Texas State Securities
Board, said the regulator has spotted a number of securities
offerings in the metaverse.
"This is a hot area," he told Reuters. "We are coordinating
among states to investigate the offerings and plan enforcement
actions if necessary."
(Reporting by Chris Prentice; Editing by Aurora Ellis)
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