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		Netflix rocked by subscriber loss, may offer cheaper ad-supported plans
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		 [April 20, 2022] 
		By Dawn Chmielewski and Tiyashi Datta 
 (Reuters) - Netflix Inc said inflation, the 
		war in Ukraine and fierce competition contributed to a loss of 
		subscribers for the first time in more than a decade and predicted 
		deeper losses ahead, marking an abrupt shift in fortune for a streaming 
		company that thrived during the pandemic.
 
 The company said it lost 200,000 subscribers in its first quarter, 
		falling well short of its forecast of adding 2.5 million subscribers. 
		Suspending service in Russia after the Ukraine invasion took a toll, 
		resulting in the loss of 700,000 members.
 
 Wall Street sent Netflix's stock tumbling 26% after the bell on Tuesday 
		and erased about $40 billion of its stock market value. Since it warned 
		in January of weak subscriber growth, the company has lost nearly half 
		of its value.
 
 The lagging subscriber growth is prompting Netflix to contemplate 
		offering a lower-priced version of the service with advertising, citing 
		the success of similar offerings from rivals HBO Max and Disney+.
 
		
		 
		"Those who have followed Netflix know that I've been against the 
		complexity of advertising, and a big fan of the simplicity of 
		subscription," said Netflix CEO Reed Hastings. "But, as much as I'm a 
		fan of that, I'm a bigger fan of consumer choice." 
 Netflix offered a gloomy prediction for the spring quarter, forecasting 
		it would lose 2 million subscribers, despite the return of such hotly 
		anticipated series as "Stranger Things" and "Ozark" and the debut of the 
		film "The Grey Man," starring Chris Evans and Ryan Gosling. Wall Street 
		targeted 227 million for the second quarter, according to Refinitiv 
		data.
 
 The downdraft caught other video streaming-related stocks, with Roku 
		dropping over 6%, Walt Disney falling 5% and Warner Bros Discovery down 
		3.5%.
 
 Hastings told investors that the pandemic had "created a lot of noise," 
		making it difficult for the company to interpret the surge and ebb of 
		its subscription business over the last two years. Now, it appears the 
		culprit is a combination of competition and the number of accounts 
		sharing passwords, making it harder to grow.
 
 "When we were growing fast, it wasn't a high priority to work on," 
		Hastings said of account-sharing in remarks during Netflix's investor 
		video. "And now we're working super hard on it."
 
 GRAPHIC: Netflix earnings https://graphics.reuters.com/NETFLIX-RESULTS/010010K54FB/Netflix-earns-flat.jpg
 
 CONFLUENCE OF EVENTS
 
 Netflix's first-quarter revenue grew 10% to $7.87 billion, slightly 
		below Wall Street's forecasts. It reported per-share net earnings of 
		$3.53, beating the Wall Street consensus of $2.89.
 
		
		 
		While the company remains bullish on the future of streaming, it blamed 
		its slowing growth on a number of factors, such as the rate at which 
		consumers adopt on-demand services, a growing number of competitors and 
		a sluggish economy. Account-sharing is a longstanding practice, though 
		Netflix is exploring ways to derive revenue from the 100 million 
		households watching Netflix through shared accounts, including 30 
		million in the United States and Canada. 
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			The Netflix logo is pictured on a television in this illustration 
			photograph taken in Encinitas, California, U.S., January 18, 2017. 
			REUTERS/Mike Blake/File Photo 
            
			 This confluence of factors resulted 
			in Netflix reporting losing customers for the first time since 
			October 2011, catching Wall Street by surprise. 
 "They suffered from a combination of approaching saturation, 
			inflation, higher pricing, the war in Ukraine and competition," said 
			Wedbush analyst Michael Pachter. "I don’t think any of us expected 
			that all to happen at once."
 The world's dominant streaming service was expected 
			to report slowing growth, amid intense competition from established 
			rivals like Amazon.com, traditional media companies such as the Walt 
			Disney and the newly formed Warner Bros Discovery and cash-flush 
			newcomers like Apple Inc. 
 Streaming services spent $50 billion on new content last year, in a 
			bid to attract or retain subscribers, according to researcher Ampere 
			Analysis. That's a 50% increase from 2019, when many of the newer 
			streaming services launched, signaling the quick escalation of the 
			so-called "streaming wars."
 
 Netflix noted that despite the intensifying competition, its share 
			of TV viewing in the United States has held steady according to 
			Nielsen, a mark of subscriber satisfaction and retention.
 
 As growth slows in mature markets like the United States, Netflix is 
			increasingly focused on other parts of the world and investing in 
			local-language content.
 
 "While hundreds of millions of homes pay for Netflix, well over half 
			of the world's broadband homes don't yet -- representing huge future 
			growth potential," the company said in a statement.
 
			
			 Benchmark analyst Matthew Harrigan warned that the uncertain global 
			economy "is apt to emerge as an albatross" for member growth and 
			Netflix's ability to continue raising prices as competition 
			intensifies. 
 Streaming services are not the only form of entertainment vying for 
			consumers' time. The latest Digital Media Trends survey from 
			Deloitte, released in late March, revealed that Generation Z, those 
			consumers ages 14 to 25, spend more time playing games than watching 
			movies or television series at home, or even listening to music.
 
 The majority of Gen Z and Millennial consumers polled said they 
			spend more time watching user-created videos like those on TikTok 
			and YouTube than watching films or shows on a streaming service.
 
 One market observer said Netflix's stock has benefited from 
			expectations of perpetual growth.
 
 "Today's report shows that there is a limit to that long-term 
			bullish thesis," said David Keller, chief market strategist at 
			StockCharts.com.
 
 (Reporting by Dawn Chmielewski in Los Angeles and Tiyashi Datta in 
			Bengaluru; Additional reporting by Lisa Richwine in Los Angeles, 
			Nivedita Balu in Bengaluru, and Noel Randewich in Oakland, 
			Califiornia; Editing by Peter Henderson and Lisa Shumaker)
 
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