| Roberts represents Moses Johnson (played by 
				British actor Tosin Cole), a promising Black high school track 
				runner in Chicago destined for success in college. Johnson is 
				wrongfully accused of murdering a police officer, setting the 
				scene for plot twists that lead to a bigger discussion of 
				systemic issues in a marginalized community, including its 
				relationship with the police department, drug wars, prison 
				conditions and access to resources.
 "I think everyone can put themselves in that situation and go 
				what if I got into a situation where there was no one to help 
				me," said Vance. "It could be the prison system. It could be the 
				judicial system. If you get in there, people assume you're 
				guilty and they back away from you because it's overwhelming."
 
 "You see the effects of what certain things have on a family, 
				how that one mistake or being in the wrong place at the wrong 
				time has on a family or has on the police force or has on the 
				system," Cole said.
 
 The show's first two seasons were shot in Chicago where creator 
				Peter Moffat and executive producers Michael B. Jordan, Alana 
				Mayo and J. David Shanks made sure the show authentically 
				depicted the vibrancy of South Side and its struggles by getting 
				input from residents, community advocates and police officers.
 
 Shanks, a former cop and South Side Chicago native, said he 
				hoped the show would encourage talk about "some really serious 
				issues that I think we as a country have to address as far as 
				policing and the criminal justice system and just the 
				relationships between law enforcement and marginalized 
				communities of color."
 
 Some of the messages of "61st Street" can also translate across 
				the globe.
 
 "These things do happen in London," said Cole, who grew up in 
				the city. "People feel injustice and still feel like classism is 
				a thing and obviously Black people are a minority there as well. 
				Whatever you feel like you're going through we may feel it as 
				well."
 
 (Reporting by Arlene Washington, Editing by Rosalba O'Brien)
 
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