Roberts represents Moses Johnson (played by
British actor Tosin Cole), a promising Black high school track
runner in Chicago destined for success in college. Johnson is
wrongfully accused of murdering a police officer, setting the
scene for plot twists that lead to a bigger discussion of
systemic issues in a marginalized community, including its
relationship with the police department, drug wars, prison
conditions and access to resources.
"I think everyone can put themselves in that situation and go
what if I got into a situation where there was no one to help
me," said Vance. "It could be the prison system. It could be the
judicial system. If you get in there, people assume you're
guilty and they back away from you because it's overwhelming."
"You see the effects of what certain things have on a family,
how that one mistake or being in the wrong place at the wrong
time has on a family or has on the police force or has on the
system," Cole said.
The show's first two seasons were shot in Chicago where creator
Peter Moffat and executive producers Michael B. Jordan, Alana
Mayo and J. David Shanks made sure the show authentically
depicted the vibrancy of South Side and its struggles by getting
input from residents, community advocates and police officers.
Shanks, a former cop and South Side Chicago native, said he
hoped the show would encourage talk about "some really serious
issues that I think we as a country have to address as far as
policing and the criminal justice system and just the
relationships between law enforcement and marginalized
communities of color."
Some of the messages of "61st Street" can also translate across
the globe.
"These things do happen in London," said Cole, who grew up in
the city. "People feel injustice and still feel like classism is
a thing and obviously Black people are a minority there as well.
Whatever you feel like you're going through we may feel it as
well."
(Reporting by Arlene Washington, Editing by Rosalba O'Brien)
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