Her adaptation has the same steady gaze as in
Leonardo da Vinci's masterpiece portrait and a similar nose. But
on her head is the traditional bowler hat of Bolivia's cholitas
and she is wrapped in a colorful Andean shawl.
"There are many women in the world, with different types of
clothing. I'm Cholita, and I said the Mona Lisa has to be a
Cholita, just like me," Callizaya said.
Callizaya's love of art began when she used stones from the
fields near her home to paint on. Now the single mother of two
paints on canvas after getting a college degree in fine art.
Cholitas, usually indigenous Aymara or Quechua women, are
generally from poor farming communities and have long faced
marginalization in the Andean nation, which has the highest
percentage of indigenous people in Latin America.
She originally wanted to be a teacher, first studying education
at a public college in El Alto, but found her vocation taking
classes in art history where she learned about famous works like
the "Venus de Milo" sculpture and the Mona Lisa.
At the college, she came up with the idea of incorporating
famous icons of feminine beauty with the features and clothing
of Aymara women like herself.
"I painted the Mona Lisa, with earrings, a cholita hat, and a
blanket ..., dressing the Mona Lisa as an Andean woman," she
said. The portrait featured Bolivian aguayo cloth, a
multi-colored material often used to carry infants.
Callizaya's family fully embraces her ambitions.
"When I see my daughter drawing and painting, I feel really
happy," said Marcelina Mamani, her elderly mother. "I always
cried and asked God to give her this gift."
Since April, Callizaya has moved away from farming to work full
time at the local ministry of culture, and sold one of her two
Cholita Mona Lisa paintings in a student exhibition.
(Reporting by Monica Machicao, Santiago Limachi and Sergio
Limachi; Writing by Steven Grattan; Editing by Adam Jourdan and
Richard Chang)
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