Filmed on the Greek island of Tinos in 2020,
"Bleat" explores the cycle of life and death centred on a local
couple, played by Stone and French actor Damien Bonnard.
Describing the movie as a challenge, Stone told reporters ahead
of Friday's Athens premiere: "I just immediately wanted to do
it."
In the tradition of the pre-talkie age, it draws heavily on her
facial expressions and features traditional Greek island images
and a score that will be played by a live orchestra during its
three days of screenings in the Greek capital.
Lanthimos - who worked with Stone on 2018's "The Favourite", an
academy award-nominated black comedy set in the British court of
the early 18th century - is no stranger to the unconventional.
He stays true to form in "Bleat", with an erotic scene taking
place over the corpse of Stone's dead husband, an image of the
severed head of a goat, and Stone being buried in an open grave.
"The way I try to create is to just be true to what my thoughts
are at any given moment and not think of serving some kind of
purpose," he said.
Describing the "dirt in the face" burial scene as the most
challenging part of the shoot, Stone added: "Was it the artiest
thing I’ve done? I guess so."
Stone and Lanthimos have also collaborated on the upcoming "Poor
Things", described as a Frankenstein offshoot.
"We are very opposite in many facets of our personality so it's
a nice balance for me, and I feel very safe with him and
challenged by him," said Stone of their cooperation.
"Bleat" was commissioned by the Greek National Opera and a
scheme by cultural organisation NEON connecting the work of
artists and filmmakers with live orchestral music.
Its score, based on works by JS Bach, is by Knut Nystedt and
Toshio Hosokawa.
Asked if she feared death, a recurring theme in the film, Stone
said: "I am not afraid of death, no, I am afraid of dying, but
death itself I don't feel afraid of, strangely.”
(editing by John Stonestreet)
[© 2022 Thomson Reuters. All rights
reserved.] This material may not be published,
broadcast, rewritten or redistributed.
Thompson Reuters is solely responsible for this content.]
|
|