| Set and filmed on an island off the west coast 
				of Ireland, "The Banshees of Inisherin" tells the story of great 
				friends Padraic (Farrell) and Colm (Gleeson). However Colm 
				unexpectedly ends their friendship, delivering an ultimatum 
				should the former bother him.
 Reuters spoke to Farrell, Gleeson and McDonagh about the film. 
				Below are edited excerpts.
 
 Q: It’s a story about male friendship, how rare is it to get to 
				explore that on screen?
 
 Farrell: "It's not so much the friendship, it's the break-up, 
				the severity of the break-up and the consequences of the 
				break-up and lives in ruination...The confusion of it and the 
				inability to accept it."
 
 Gleeson: "It's the emotional consequences of being dumped and of 
				having to dump something that was central to who you were."
 
 Question: Where did this story come from?
 
 McDonagh: "I always wanted to get Colin and Brendan back 
				together to do something, but to do something quite different to 
				'In Bruges'... something a little stranger, maybe a little 
				sadder, hopefully equally funny."
 
 Q: What was it like knowing Martin wrote these parts for you 
				specifically? You can’t really turn it down, can you?
 
 Gleeson: "First time I ever saw the first iteration, I said 
				'what have I done?' It's like, why do you want me to be this is 
				cruel, what have I done to you?"
 
 Farrell: "I knew it was going to be sad. That's the simplest way 
				to call it."
 
 Q: Was it your intention to have the island be a character of 
				the film too?
 
 McDonagh: "To show Ireland and the west coast, especially as a 
				character, was very important, to make it really beautiful, too, 
				was very important. I think maybe as the film goes on, it's a 
				little less beautiful and a little more claustrophobic etc. But 
				there's a beauty in that too...A lot of people after 'In Bruges' 
				went to Bruges afterwards. I hope maybe people will go to the 
				west coast after this."
 
 (Reporting by Hanna Rantala; Editing by Marie-Louise Gumuchian 
				and Angus MacSwan)
 
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