Analysis-Cineworld's woes highlight uneven moviegoing recovery
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[September 08, 2022] By
Dawn Chmielewski
LOS ANGELES (Reuters) - A string of summer
blockbusters, from the high-flying "Top Gun: Maverick" to the
near-billion-dollar global gross of "Jurassic World: Dominion," suggest
the movie business is rebounding from the devastating COVID-19 pandemic.
But the industry is still far from returning to the box-office-busting
days of 2019, before the health crisis shuttered theaters and halted
productions around the globe, theater and studio executives said.
Ticket sales in the United States and Canada will likely reach $7
billion this year, a dramatic improvement over the past two years but
more than one-third lower than in 2019. Major studios plan to ramp up
production in 2023, but it is unclear whether the number of films shown
in theaters will reach pre-pandemic levels.
"It's been a devastating journey," said Rolando Rodriguez, chief
executive of the Wisconsin-based Marcus Theatres, describing the
industry's bumpy recovery. "This summer has put us back on track, on a
positive trajectory. We're going to have a little softness through the
fall, then we're going to come back to an exciting fourth quarter."
A move by the world's second-largest cinema operator, Cineworld Group,
to file for bankruptcy protection in the United States on Wednesday
underscored the financial challenges facing theater owners and the
fragile nature of the box office recovery following the pandemic.
Some worry the global popularity of streaming has permanently changed
viewing habits, and that more cinemas will go permanently dark. Movie
buffs no longer need to leave their homes to watch new releases such as
the spy thriller "The Gray Man" on Netflix.
Others point to a break in Hollywood's movie pipeline.
London-based Cineworld, which owns the Regal Cinemas chain in the United
States and runs movie theaters in nine other countries, said the lack of
new blockbuster films is keeping moviegoers away, squeezing its cash
flow and forcing it to explore its options.
Although some individual films are performing well, studios have sharply
cut the number of movies they release. The dry spell will extend until
October, when Dwayne Johnson's "Black Adam" and Jamie Lee Curtis'
"Halloween Ends," open in theaters.
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People walk past a Cineworld in
Leicester Square, amid the coronavirus disease (COVID-19) outbreak
in London, Britain, October 4, 2020. REUTERS/Henry Nicholls
Audiences are expected to return to theaters over the holidays for two highly
anticipated sequels: "Black Panther: Wakanda Forever" in November and "Avatar:
The Way of the Water" in December.
Holiday ticket sales should be enough to lift the year's box office to $7
billion or $7.5 billion in the United States and Canada, Comscore's senior media
analyst Paul Dergarabedian projected.
That's well shy of 2019's $11.4 billion tally, although analysts forecast the
box office gradually gathering momentum, rising to $10.5 billion next year.
For now, there are 71 wide releases scheduled for 2023, just up from 67 movies
planned for this year. The calendar is likely to fill out, studio executives
said, but remains a far cry from the 102 titles Hollywood released to theaters
in 2019.
Smaller, independent theater chains -- especially those stuck in "zombie" malls
with few shoppers -- may lack the resources to survive the fall's movie drought,
or the changes brought by the pandemic, said studio and theater executives.
"We've always claimed that our margins are so thin," said Ted Mundorff,
president of Pacific Theatres Exhibition Corp, which filed for bankruptcy in
June 2021. "You lose 30% of the topline, of the total box office, you're going
to have some breaking points."
Former Disney Chief Executive Bob Iger, in remarks at the CODE conference in
Beverly Hills on Wednesday, said the pandemic had left a "permanent scar" on the
movie business. "It won't go away, but it doesn't come back to where it was," he
predicted.
(Reporting by Dawn Chmielewski and Lisa Richwine; editing by Richard Pullin)
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