The Apple TV+ documentary, directed by Hudlin
and produced by Winfrey, celebrates the life of Poitier, who
opened doors for the next generation of Black actors in
Hollywood and "redefined what people thought a Black person
could be and who Black people were in the world," Winfrey said
in an interview.
"For many people that was their first relationship with a Black
person," she said of seeing Poitier on the big screen. "White
people did not know Black people other than as maids or
servants."
Rising to the top of Hollywood was no easy feat for a Black man
in the 1960s. Poitier's portrayals of a doctor, lawyer, and
detective broke barriers.
As a detective in the 1967 film "In the Heat of the Night,"
Poitier's character, Virgil Tibbs, is questioned by the white
police chief in the U.S. South, who disrespectfully asks what
they call him back in Philadelphia. Poitier, standing up for
himself, famously and strongly responds "They call me Mr. Tibbs."
"It was important for him as an artist, and as a Black artist,
to only perform roles that were representative of what he
believed was the integrity of himself and represented the
integrity of his family," Winfrey said.
Narrated by Poitier, the film paints the picture of a family man
with tremendous self respect, emphasized by how his strong
upbringing made him the man he was.
"No matter who you are, this movie will speak to an important
part of you, and it gives you the opportunity to elevate
yourself by following Sidney Poitier's example," said Hudlin.
The film includes interviews with Denzel Washington, Halle
Berry, Robert Redford, Lenny Kravitz, Barbra Streisand, Spike
Lee and Harry Belafonte, all of whom share stories of how
Poitier raised the standards of the film industry.
Winfrey recalls watching Poitier become the first Black man to
win the best actor Oscar in 1964 for "Lilies of the Field,"
saying it gave her hope for what was possible in her own life.
"I remember thinking 'if he could do that, I wonder what I can
do.'"
(Reporting by Jenna Zucker and Divya Rajagopal; Editing by Bill
Berkrot)
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