Vancouver movie workers get creative with side hustles amid Hollywood
shutdown
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[August 07, 2023]
By Sarah Berman
VANCOUVER (Reuters) - Twin strikes by Hollywood actors and writers have
put the damper on Vancouver's summer of movie magic, forcing the
industry's creative minds to turn to sometimes surprising side hustles
to ride out the tough times.
Known as "Hollywood North," the city of Vancouver and its province of
British Columbia comprise one of the largest film production centers in
North America. Generating about C$3.6 billion in revenue ($2.7 billion)
in 2022, it provides employment for a whole host of camera operators,
logistics coordinators, animators, chefs and more.
But with the strikes putting multiple productions on hold, many film
workers in Canada are now seeking temporary alternative work, picking up
restaurant, construction, landscaping and retail jobs. And the backup
plans do not end there.
Stacy Lundeen usually works as a set dresser, a job he found to support
his passion as an artist and painter. He has stayed busy for a decade,
most recently employed on the CW Network's superhero show "The Flash."
Now work has dried up, he has returned to his art practice. In early
June he opened a pop-up gallery called Slender, featuring visual art by
family and friends.
But fine art does not pay the bills, so Lundeen cuts hair in his spare
time. "I have a lot of irons in different fires," he said. "I'm also a
dad."
During summer, Vancouver's folksy suburbs, striking skyline, beaches,
and mountaintop resorts are in demand and the city hosts dozens of
small-budget shoots that become seasonal staples on network TV.
Natasha Stoesz considers her eight-year career on TV sets a dream job,
but industry disruptions in recent years left her cooking up a business
on the side. In May 2021, in the wake of a COVID-19 lockdown, she and
her husband launched an empanada pop-up inspired by his Chilean
heritage.
As an art director on Amazon and Netflix sets, Stoesz said she is always
problem-solving. When her only film job of the year shut down in
mid-July, Stoesz poured her energy into folding and frying pastry under
the banner Yapo Empanadas.
"We just love cooking and baking," Stoesz said. "Now that we're off
again we're starting to do more."
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Stacy Lundeen, a set dresser who worked
for years on a popular CW superhero show, poses in his pop-up
Slender Studio while the actors' and writers' strike puts a stop to
movie making in Vancouver, British Columbia, Canada, August 2, 2023.
REUTERS/Chris Helgren
Stoesz hopes one day Yapo can turn a
profit so she can afford a truck or commercial kitchen. For now, her
labor of love is barely breaking even. "We make enough to cover the
costs, but not enough to pay ourselves per hour," she said.
Side projects are nothing new for film workers, said stunt
coordinator Thomas Potter. "One of the first things I learned a very
long time ago is you should always have something you're doing on
the side," he said.
Potter has worked in security, carpentry, and construction, he said.
During the recent strikes he has devoted more time to his
sandblasting company AXA.
For Morris Bartlett, whose usual work is building set pieces with
Fiction Factory Props, the strike shutdown has been a "nightmare"
for his team, he said.
For the moment, Bartlett is treading water by making custom props
for comic book convention performers, known as cosplayers, as well
as corporate clients.
His latest project is building a custom jetpack that will complete
one performer's elaborate Boba Fett costume. The design includes
smoke from a CO2 canister, lights, fans, and speakers he will
program with "Star Wars"-inspired sound effects.
Bartlett said he is grateful and excited to be able to use his
skills on the project, but he is making a fraction of his regular
income.
Ultimately, the side gigs can only stretch so far - and all the
crews are hoping that film work will return to Vancouver later this
year.
"I haven't worked a day since May. That's starting to feel a little
stressful," said Lundeen.
(Reporting by Sarah Berman in Vancouver; Editing by Denny Thomas and
Rosalba O'Brien)
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