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U.S. District Judge Victor Marrero in Manhattan
rejected Dapper Labs Inc's bid to dismiss a proposed class
action by purchasers of NBA Top Shot Moments, which are digital
video clips of NBA game highlights.
The lawsuit said Dapper should have registered the NFTs as
securities because their value was tied to the success of
Dapper's blockchain. It also said Dapper reaped hundreds of
millions of dollars by preventing purchasers from "cashing out"
for months on end.
In a 64-page decision that he said appeared to be the first of
its kind, Marrero said the purchasers made "facially plausible"
allegations that their NFTs were securities.
"In the most general terms, the court is asked to assess whether
Moments are more like cardboard basketball cards, i.e.,
commodities, or more like crypto tokens," he wrote. "Here, it is
a close call and the court's decision is narrow."
Marrero said his decision was supported by how Dapper restricted
trading to its Flow blockchain, unlike public blockchains such
as those underlying bitcoin, and had a financial interest in the
platform's success.
U.S. regulators have not said whether NFTs are securities. Gary
Gensler, who chairs the Securities and Exchange Commission, has
called for more crypto regulation.
The purchasers sued Vancouver, British Columbia-based Dapper and
its founder, Roham Gharegozlou, for unspecified damages in May
2021.
Dapper spokeswoman Stephanie Martin said in a statement that
many courts have found that consumer goods are not securities.
"We are confident the same holds true for Moments and other
collectibles, digital or otherwise, and look forward to
vigorously defending our position in court," she said.
Phillip Kim, a lawyer for the purchasers, declined to comment.
Dapper also offers other NFTs, including NFL All Day and UFC
Strike. It says there are more than 1.5 million users of NBA Top
Shot, with sales exceeding $1 billion.
The case is Friel v. Dapper Labs Inc et al, U.S. District Court,
Southern District of New York, No. 21-05837.
(Reporting by Jonathan Stempel in New York; Editing by Leslie
Adler)
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