Gina Lollobrigida: From post-war film legend to artist
Send a link to a friend
[January 17, 2023]
By Philip Pullella
ROME (Reuters) - Gina Lollobrigida, who has died at the age of 95, shot
to fame in the 1950s as a sultry Mediterranean sex symbol, then became a
photographer and sculptor after stepping away from the movie world.
At the height of her fame in the 1950s and 1960s, Lollobrigida, who was
known simply as "La Lollo," was an internationally recognised epitome of
Italian post-war cinema, rivalled only by Sophia Loren.
Tempestuous and impulsive by nature, she made headlines again in 2006,
when, at age 79, she announced that she would marry a man 34 years her
junior. She later called off the wedding, blaming the media for spoiling
it.
"All my life I wanted a real love, an authentic love, but I have never
had one. No one has ever truly loved me. I am a cumbersome woman," she
told an interviewer when she was 80.
Born to a working class family in a poor mountainous area east of Rome,
she studied sculpture then got her break in the film world after
finishing third in the 1947 Miss Italia beauty contest. (The winner that
year was Lucia Bose.)
One of her earliest performances was as Gemma, the unhappy adulteress in
the 1953 film by director Mario Soldati "The Wayward Wife" (La
Provinciale).
She burst to fame in Italy with the leading roles in two Italian
comedies by Luigi Comencini - "Bread, Love and Dreams," and "Bread, Love
and Jealousy".
WORLD'S MOST BEAUTIFUL WOMAN
A role opposite Humphrey Bogart in John Huston's 1954 film "Beat the
Devil," sealed her worldwide fame and in 1955 she made what became one
of her signature films, "The World's Most Beautiful Woman".
She was also directed by other film luminaries such as Rene Clair and
Carol Reed.
But despite playing opposite other American stars such as Frank Sinatra
and Burt Lancaster, she never clicked with Hollywood and preferred to
work closer to home, making films throughout the 1960s with directors
such as Mario Bolognini.
Perhaps her last well-known movie was "Buona Sera, Mrs. Campbell," a
farce by director Melvin Frank which also starred Phil Silvers, Peter
Lawford and Telly Savalas.
In it, she played Carla, an Italian woman who had affairs with three
American soldiers during World War Two and meets them all again during a
squadron reunion 20 years later.
Born on July 4, 1927, Lollobrigida fled the rural area of her birth with
her family during World War Two and was later sent to the Academy of
Fine Arts in the capital to complete her education.
She first earned her living as a model for fotoromanzi, the photographic
novels avidly read in Italy, using the stage name Diana Loris.
Lollobrigida accompanied her success on the screen with a hectic, often
turbulent life that provided a rich source for Italian paparazzi and
gossip writers.
She tried to guard her private life, retreating to an isolated villa on
Rome's ancient Appian Way, which was decorated with her own sculptures
and paintings as well art she collected on her world travels.
In 1950 she married Yugoslav emigre doctor Milko Skofic, who became her
manager. They couple had one son, Milko Junior.
[to top of second column]
|
Italian film icon Gina Lollobrigida
poses near two of her sculptures in her villa in southern Rome
December 7, 2006. REUTERS/Chris Helgren/File Photo
They separated after nearly 17
years, and Lollobrigida said later she had no intention of
remarrying. "Marriages are boring and almost always like funerals,
and couples so often restrict each other too much," she said.
WANTED TO MARRY YOUNGER MAN
However in 2006, when she was 79, she announced her intention to
marry Javier Rigau, a Spaniard 34 years her junior with whom she had
a confidential close friendship for years.
Months later, she called off the wedding, saying that the media
coverage had ruined her life with "endless attacks, slander and
violence".
She blasted the Spanish media for attacking Rigau as an opportunist.
"In a way I feel responsible that he (Rigau) suffered all this
because he is linked to me," she told Reuters in an interview. I am
more used to having falsehoods written about me."
During a trip to the United States, she asked the American Congress
to pass stricter laws protecting the privacy of people from
intrusion by the media.
"The law must stop the media from continuing this absurd behaviour,"
he said at the time.
When she stopped making films, Lollobrigida developed new careers as
a photographer and sculptor and was also a goodwill ambassador for
the United Nations Children's Fund (UNICEF), and its Food and
Agriculture Organisation (FAO).
Between 1972 and 1994 she published six books of her photographs,
including Italia Mia (My Italy), The Philippines, and the Wonder of
Innocence, photographs of and for children.
"Children with their big wide-open eyes question us. Their looks
should help us to forsake selfishness that undoubtedly leaves our
hearts quite bare," she wrote in its introduction.
In 1975 she made a documentary film "Portrait of Fidel Castro," and
for years was surrounded by rumours that she had had an affair with
the Cuban leader.
In her later years she returned to her first love, sculpting,
keeping a summer home in the Tuscan city of Pietrasanta, an artist's
colony where she worked with sculptors such as Bottero.
She had a one-woman show there in 2008 and dedicated it to her
friend, the late opera singer Maria Callas.
Exhibitions of her marble and bronze statues were also held in Paris
and Moscow and the United States.
In 2013, when she was 85, an auction of her jewellery by Sotheby's
in Geneva fetched $4.9 million and set a record for a pair of
diamond and pearl earrings, which sold for $2.37 million. The
proceeds went to stem cell research.
"Jewels are meant to give pleasure and for many years I had enormous
pleasure wearing mine," she said. "Selling my jewels to help raise
awareness of stem cell therapy, which can cure so many illnesses,
seems to me a wonderful use to which to put them."
(Reporting by Philip Pullella; Editing by Andrew Heavens and Susan
Fenton)
[© 2023 Thomson Reuters. All rights
reserved.] This material may not be published,
broadcast, rewritten or redistributed.
Thompson Reuters is solely responsible for this content. |