Zero waste theatre seeks to show we all can act for change
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[June 22, 2023]
By Barbara Lewis and Sarah Mills
LONDON (Reuters) - Surrounded by the glass and steel towers of London's
financial district, a low-rise construction made of re-used materials
has sprung up to make the point we have collective power to tackle
climate change.
The Greenhouse Theatre, billed as Britain's first zero waste theatre, is
staging plays in London over the summer months when long, light evenings
reduce the need for electricity.
It has been built by a team led by artistic director Oli Savage, 26. He
says his target audiences, aged around 16 to 35, tend to be very worried
about the environment, but pessimistic they can do anything about it.
He wants to show them sustainability can be easier and more fun than
they might think.
"Everything that we use has had a life before and once we’re done with
it, or if we’re done with it, we work very hard to make sure it goes on
to have a life after us," he told Reuters. "There’s no reason to make
excuses."
He also says theatre's role is to help people get beyond the daunting
facts and figures of climate science through stories they can relate to.
His show "To the Ocean" aims to help "people feel connected to the
natural world and to each other", he said.
The theatre will also host 15 other shows during its London summer
season.
Among the visiting companies, Signe Lury, artistic director of the Gift
Horse Theatre, signed a contract that commits "to working in a
zero-waste capacity, upholding this practice in both work and behavior
on site".
Over the five years since the Gift Horse Theatre was set up as
environmentally-conscious theatre, Lury senses actors and audiences have
become more willing to confront the climate issue.
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Stuart Curlett sings during a
performance of To The Ocean at The Greenhouse, a zero waste pop up
theatre in Canary Wharf, London, Britain June 19, 2023. REUTERS/Anna
Gordon
"Making and supporting this kind of work now feels unavoidable," she
said.
Other industry observers say building an entire theatre from re-used
materials, although exceptional, is aligned with a trend that
gathered momentum in lockdown.
While theatres were closed, staff had time to think and in Britain
the Theatre Green Book was born as a manual on cutting emissions,
firstly by focusing on the materials used in staging productions as
the source of carbon over which theatres have most control.
The Theatre Green Book's co-founder architect Patrick Dillon said it
has been adopted across the world and is being translated into 11
languages.
Research has also found audiences increasingly expect theatres to
spearhead change.
Cultural sector consultancy Indigo and pointOne, a digital payments
provider, found 77% of those questioned thought cultural
organizations had a responsibility to influence society about the
climate emergency and 90% expected them to build sets from re-used
or recycled materials.
(Reporting by Barbara Lewis and Sarah Mills, editing by Ed Osmond)
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