From 'Nanny' to negotiator, Fran Drescher rallied actors to new labor
deal
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[November 09, 2023]
By Dawn Chmielewski and Lisa Richwine
LOS ANGELES (Reuters) -To thousands of rank-and-file Hollywood actors,
Fran Drescher emerged this summer as a modern-day labor hero who secured
a hard-fought deal. To studio executives who negotiated with the SAG-AFTRA
president, the former star of "The Nanny" prolonged a strike while she
relished her high-profile role.
Not since her portrayal of Fran Fine, a one-time bridal shop attendant
from Queens who winds up caring for a Broadway producer's three children
in the 1990s sitcom, had Drescher seen so much screen time.
Her memorable portrayal of the nanny, with her nasal voice, loud
fashion, and deftly executed pratfalls, garnered her two Emmy
nominations. As president of the 160,000-member SAG-AFTRA union,
Drescher won widespread praise from performers for her tenacity in
fighting for better wages and protections against the rising threat of
artificial intelligence technology.
"She's a really good wartime president," said Kate Bond, who played Jill
Morgan on CBS series "MacGyver."
Under Drescher's leadership, SAG-AFTRA walked off the job in mid-July,
halting most film and scripted television production. After 118 days,
negotiators announced on Wednesday they had reached an agreement valued
at more than $1 billion over three years.
Drescher framed her actions as part of a broader labor movement battling
Corporate America, where, in her view, executives place Wall Street's
approval and their own compensation ahead of the welfare of workers.
"We are the victims here. We are being victimized by a very greedy
entity. I am shocked by the way the people that we have been in business
with are treating us," Drescher said at a July news conference. "I
cannot believe it, quite frankly, how far apart we are on so many
things. How they plead poverty. That they're losing money left and right
when giving hundreds of millions of dollars to their CEOs. It is
disgusting. Shame on them."
A PRO-PROLETARIAT VIEW
Drescher's remarks, which struck some as vitriolic, were reminiscent of
Norma Rae, the title character in a 1970s movie based on a cotton-mill
worker who rallied co-workers to unionize.
"In the context of the global labor movement, I understood what she was
doing," said attorney Ivy Kagan Bierman, chair of the entertainment
labor practice at Loeb & Loeb. "In the role of Norma Rae, she gave the
Norma Rae speech."
Studio executives, who declined to criticize Drescher publicly to avoid
inflaming labor talks, said the 66-year-old Drescher delivered similar
unvarnished critiques to industry leaders during closed-door
negotiations. They said the union boss talked about achieving a transfer
of wealth from the CEO yachting class to actors struggling to make a
living on guild minimum wages.
The composition of the union bargaining team reflected Drescher's
pro-proletariat view: some of the 42 members failed to qualify for SAG-AFTRA's
healthcare insurance because they earned less than $26,470 per year.
This served to extend the strike, in the view of one studio chief, who
observed, "We're negotiating with people who have nothing to lose."
The executives described Drescher as an actor enjoying her biggest role
in years. Her last recurring role was in NBC sitcom "Indebted," which
ran for one season in 2020.
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SAG-AFTRA union President Fran Drescher and Duncan Crabtree-Ireland,
SAG-AFTRA National Executive Director and Chief Negotiator,
demonstrate as SAG-AFTRA actors join the Writers Guild of America (WGA)
in a strike against the Hollywood studios, on the picket like
outside of Netflix offices in Los Angeles, California, U.S., July
14, 2023. REUTERS/Mike Blake/File Photo
That view is just "rhetoric," said
Shari Belafonte, a member of the SAG-AFTRA TV/theatrical negotiating
committee. "Fran's unwavering commitment to the SAG-AFTRA membership
is what drives her."
"We are in a paradigm shift," Belafonte added. "Her interest as the
union president is to see all performers, from background to the top
2%, succeed in a vibrant industry for the next century and beyond."
'A BIG CHAMPION'
As negotiations intensified in October, reports emerged that
Drescher brought a stuffed, heart-shaped toy to contract talks with
executives including Walt Disney CEO Bob Iger and Netflix Co-CEO Ted
Sarandos. Union members viewed the accounts as attempts to undermine
Drescher's credibility and started bringing their own plush toys to
picket lines to show support.
"It's OK to have things that make you comfortable. It doesn't make
you any less professional," said actor Kimberly Westbrook, who
carried a stuffed penguin and wore a "Don't F– With Fran" pin while
picketing Amazon Studios. "We're actors. We are eccentric people."
"I love that she is not apologetic for who she is," Westbrook added.
Drescher said she did not need to "emulate a masculine energy to be
a good leader."
"I can be smart, have a keen ability (to see) integral flaws in a
business model AND put a tiny heart-shaped plush toy (between) me &
Iger," she wrote on the social media platform X.
SAG-AFTRA's chief negotiator, Duncan Crabtree-Ireland, said Drescher
was "not afraid to speak truth to power, and she did exactly that"
at the bargaining table.
Drescher also "really tried to humanize what can sometimes be a very
cold process, and I thought that was really a valuable
contribution," he said.
Union members said they admired the fearlessness of an actress who
survived being raped at gunpoint in her 20s and battled uterine
cancer in her 40s. Many also saw her unconventional approach as an
asset.
"She scares the shit out of these CEOs precisely because she can't
be put in a box (or a corner)," actor Justine Bateman wrote on X.
"If you can't see the leverage in that, then you don't understand
negotiating."
Actor Alex Plank, who appears opposite Bobby Cannavale and Robert De
Niro in "Ezra," admitted he knew little about Drescher before the
strike, beyond her distinctive voice.
"She's turned out to be a big champion, someone with heart," Plank
said. "I was skeptical at first, to be honest with you, because I
didn't know anything about her, and she turned out to be more than
we could have ever asked for."
(Reporting by Dawn Chmielewski and Lisa Richwine;Editing by Mary
Milliken, Rosalba O'Brien and Gerry Doyle)
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