The Black Crowes enjoy Grammy Awards love again several decades after 
		first nomination
		
		 
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		 [December 20, 2024] 
		By MARK KENNEDY 
		
		NEW YORK (AP) — The first time Chris and Rich Robinson were at the 
		Grammy Awards, it was 1991. The New York Giants had won the Super Bowl, 
		and the U.S. was in the midst of the Gulf War. 
		 
		The siblings behind the band The Black Crowes had just released their 
		debut album “Shake Your Money Maker” and were nominees for best new 
		artist. They didn't have high hopes. Sure enough, Mariah Carey would 
		take the crown. 
		 
		“I don’t remember ever like getting too worked up about it,” 
		singer-songwriter Chris Robinson recalls. “Of course, Mariah Carey is 
		going to get that. Are they going to give it to these dirtbag kids from 
		Atlanta who just came to the party really to get thrown out?” 
		 
		Fast forward more than three decades and the Black Crowes have been 
		invited back to the party, earning their second career Grammy nod this 
		year for best rock album alongside the Rolling Stones. 
		 
		“Literally just to be nominated is an amazing thing. And to be nominated 
		next to the Rolling Stones makes it even better,” says Rich Robinson, 
		the songwriter and guitarist. 
		 
		Beside the Stones 
		 
		The Black Crowes' rollicking "Happiness Bastards" is up for best rock 
		album against “Romance” by Fontaines D.C., “Saviors” by Green Day, 
		“TANGK” by IDLES, “Dark Matter” from Pearl Jam, “Hackney Diamonds” by 
		the Stones and “No Name” from Jack White. 
		
		
		  
		
		“To be in a place where it’s all clicking and it all feels right, that’s 
		the real special feeling,” says Chris Robinson. “I think it reinforces 
		our commitment and where we’re going.” 
		 
		“Happiness Bastards” is a 10-track romping tour of rock, from the 
		Southern boogie of “Rats and Clowns” to the stuttering stomp of “Cross 
		Your Fingers” and the airy cool of “Wilted Rose.” There's blues 
		harmonica, some glam rock, '70s harmonies and fun AC/DC-like riffs. 
		 
		“It’s funky and it’s rockin' and it’s kind of a little bit salty here 
		and there. But ultimately, I think it’s very interesting,” says Chris 
		Robinson. “It’s just integrated with everything that we’ve done and 
		where we’re going.” 
		 
		The band last released a studio album in 2009, and the volatile Robinson 
		brothers needed a decade apart before they regrouped in 2019. In 2022, 
		they released an EP with covers of David Bowie, the Rolling Stones, the 
		Temptations, T. Rex, Little Feat and Rod Stewart. Now they're in the 
		same Grammy category as the Stones. 
		 
		Critics have welcomed the brothers back, with Paste magazine calling the 
		new album “a respectable collection of bluesy rockers that showcase the 
		brothers’ strengths” and Rolling Stone describing it as “fun, energetic 
		and, unmistakably not-crusty.” 
		 
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            Rich Robinson, left, and his brother Chris Robinson of The Black 
			Crowes pose for a portrait in Los Angeles on Monday, Dec. 9, 2024. 
			(AP Photo/Richard Vogel) 
            
			
			  Some cynics thought the reunion was 
			simply a cash grab, an attempt to monetize fans of the band yearning 
			for the '90s and a good-time rock concert. The strong album and 
			Grammy love refutes that argument. 
			 
			“Well, we did it and we’ve been successful. And all these years 
			later we wrote these new songs and, boom, here we are,” says Chris 
			Robinson. “The validation of that is really unique to us.” 
			 
			Inside the writing process 
			 
			The way the brothers come up with a song hadn't changed over the 
			years. During the pandemic, Rich started sending a flood of ideas to 
			his brother to see what clicked with him. 
			 
			Chris wrote the lyrics for “Rats and Clowns” in 20 minutes after 
			Rich — inspired by AC/DC — sent him a killer riff. “Rich just handed 
			me a hanging curveball. ‘I can hit this,’ you know what I mean?” 
			says Chris. “I have to emphasize how much fun we’re having in this 
			band.” 
			 
			One difference this time was the addition of an outside producer. 
			The Robinson brothers had produced all The Black Crowes albums after 
			their second and wanted a new element. 
			 
			“We were like, ‘Let’s bring in someone that’s going to challenge us 
			a little bit and maybe would have a point of view that we don’t 
			have.’ Someone that can look at everything from 10,000 feet,” says 
			Rich Robinson. 
			 
			That happened with producer Jay Joyce, who has worked with artists 
			like Cage the Elephant, Lainey Wilson and Eric Church. Joyce pushed 
			them and was able to negotiate the sibling rivalry, what some call 
			the U.S. equivalent to Oasis. 
			 
			“Our story connects with people because if you have siblings, you 
			understand the dynamic of that — how amazing it is and how difficult 
			it can be,” says Chris Robinson. 
			 
			His brother agrees: “We’ve had our ups and downs, we've had our 
			trials and tribulations, and we kind of came out stronger in the 
			end. Chris and I’s relationship is in the best place it’s been 
			probably in our lives.” 
			 
			The brothers hint about that on the album's last song — “Kindred 
			Friends” — which strikes a loving, wistful note. “Kindred friend, 
			where have you been?/Guess it's been a while/Through thick and 
			thin/Many times again/Always makes me smile.” 
			 
			The Robinsons say the song is partly about them but could be a toast 
			to an old lover and is also reaching out to their fans after all 
			these years. 
			 
			“There’s a sweetness to it,” says Rich Robinson. “I sent it to Chris 
			and what he sang on it was really moving. It’s a great way to end 
			that record, you know?” 
			
			
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