Beyoncé makes her mark on country music, shining light on genre's Black
roots
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[March 15, 2024]
By Kat Stafford and ALEXANDRA SARABIA
(Reuters) - Texas native and singer-songwriter Denitia was deeply moved
when she heard the first notes of Beyoncé's hit country song, "Texas
Hold ‘Em."
But it was more than the exhilarating, catchy thrum of the banjo at the
start of the song that caught Denitia’s attention: It was an overdue
acknowledgement of the rich history of Black country music artists and
their legacies.
"Beyoncé's success in country music is shining a light on a history of
Black folks in country music, in our creation, our contribution to the
genre, in our being listeners and avid audience members of country
music," said Denitia, who now lives in Nashville and was named one of
CMT’s next country artists to watch earlier this year. "We have been
there from the start and we're still there."
Experts and fans view Beyoncé's foray into the genre as a reclamation
and homage to the legacy of Black Americans within country music and
culture – a history that has largely gone unrecognized in some
mainstream music circles. They say Beyoncé, who was born and raised in
Houston, Texas, is now walking in the footsteps of many acclaimed Black
country music legends who came before her.
From historical figures like Lesley "Esley" Riddle, and Charley Pride,
who broke down historical barriers, to current artists like Mickey
Guyton, Jimmie Allen and Rhiannon Giddens, who played the banjo, an
instrument of West African origin, heard throughout "Texas Hold ‘Em."
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“Despite the fact that country music as an industry and often country
music spaces like bars and festivals, are primarily white, Black artists
have been creating the music that's the roots of country,” said
Francesca T. Royster, associate professor of English at DePaul
University, where she teaches courses on Shakespeare, film, and Black
feminism.
"The story that's been told about country music is that it's like this
authentically white, nostalgic music, when in fact, Black, Indigenous,
Latinx contributions are really important to the sound."
'TALENT IS TALENT'
Beyoncé is set to release her highly anticipated country album, Cowboy
Carter, on March 29. She first teased the forthcoming album when she
released two new songs after making a surprise appearance in a Super
Bowl commercial. The album serves as the second in a three-album project
that kicked off with her 2022 critically acclaimed "Renaissance."
Excitement has swirled around the project, and "Texas Hold ‘Em," has
soared multiple music charts, cementing Beyoncé as the first Black woman
to top the Billboard Country Chart. Royster noted that the banjo
featured on the song has become a signature instrument, sound and
tradition of country music, but added it was originally invented by and
grounded in the music of enslaved Black people.
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Beyonce accepts the award for Best Dance/Electronic Music Album for
"Renaissance" during the 65th Annual Grammy Awards in Los Angeles,
California, U.S., February 5, 2023. REUTERS/Mario Anzuoni/File Photo
 For Royster and others, Beyoncé's
success is a reminder that "anyone, whatever their racial or ethnic
identity, can participate in this culture and not feel like a genre
or creed of creative art form or way of storytelling is closed to
them.”
Beyoncé has been vocal throughout her career about her ties to
country music and southern culture, dropping hints throughout her
career of the impact both have had.
Her 2016 "Lemonade" album featured the country song "Daddy Lessons,"
which she performed later that year at the Country Music Awards with
The Chicks, formerly known as The Dixie Chicks. While the
performance was praised, it was also met with swift criticism and
racist backlash, stating she had no place on country’s biggest
stage.
There’s been a long documented history of exclusion within the
country music space. A 2021 study found that between 2002-2020, just
one percent of songs played on country stations were by Black
artists.
News of her country album has also been met with some mixed reviews
and tepid response by some. Fans have complained several country
radio stations have not given airplay to the songs, including
Oklahoma radio station KYKC, which went viral for rejecting a fan's
request to play Beyoncé's country song. General Manager Roger Harris
said it rejected the request because the label initially designated
it as under the Pop and R&B categories and the station was "unfairly
targeted."
Despite the controversy, fans across the world continue to
celebrate, posting clips of themselves donning glittery cowboy boots
and hats, and dancing to the songs, like Danielle Williams-Hooey and
three of her friends, who created a line dance routine to the song.
"I really appreciated it because there are a lot of African American
country artists that we don't really know about, including myself,"
said Williams-Hooey, a teacher from Texas, noting she's hopeful the
songs' success will "trickle down" to other Black country artists.
“At the end of the day, talent is talent no matter what your skin
color is."
(Reporting by Kat Stafford and Alexandra Sarabia; Editing by Aurora
Ellis)
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