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				The work addresses what Mayorkas said is “labor-intensive” 
				instruction that typically involves senior personnel. In this 
				pilot, he said, DHS is training machines to act like refugees so 
				officers can practice interviewing them.
 "Refugee applicants, given the trauma that they have endured, 
				are reticent to be forthcoming in describing that trauma," he 
				said. "So we're teaching the machine to be reticent as well" and 
				to adopt other "characteristics" of applicants.
 
 The remarks, made on the sidelines of the security-focused RSA 
				Conference in San Francisco, elaborate on AI initiatives that 
				DHS announced earlier this year. The department has said it 
				planned to develop an interactive app to supplement its training 
				of immigration officers, drawing on so-called generative AI that 
				creates novel content based on past data.
 
 Specifically, United States Citizenship and Immigration 
				Services, an agency within DHS, would build an AI program that 
				tailored training materials to officers' needs and prepare them 
				to make more accurate decisions, the department said.
 
 AI will not make immigration decisions themselves, DHS told 
				Reuters. The AI will know country-specific conditions and other 
				information to help officers, Mayorkas said.
 
 The pilot adds to the many tests in industry and government 
				seeking to reduce costs and improve performance through AI, 
				particularly after ChatGPT's viral launch in 2022. Such 
				experimentation has not been without problems, including issues 
				with translation, incorrect timeframes and pronouns.
 
 Among more "advanced" deployments of AI, Mayorkas said the 
				department has worked to spot anomalies when commercial trucks 
				and passenger vehicles make border crossings. The goal, he said, 
				is to help the department detect smuggling attempts for bringing 
				fentanyl and other contraband into the United States.
 
 (Reporting By Jeffrey Dastin in San Francisco, Ted Hesson in 
				Washington and Mica Rosenberg in New York; Editing by Lincoln 
				Feast.)
 
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