Election year Trump biopic 'The
Apprentice' premieres at Cannes
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[May 21, 2024]
CANNES, France (Reuters) - "The Apprentice", Iran-born director
Ali Abbasi's much-anticipated drama of a young Donald Trump's ascendancy
as a New York real estate mogul, premiered at the Cannes Film Festival
on Monday.
Part of the pull of the film is its timing, as Trump, now 77, looks to
win another term as U.S. president in November. |
Director Ali Abbasi, producers Amy Baer, Louis Tisne, Julianne Forde and
Ruth Treacy, cast members Maria Bakalova, Sebastian Stan and Martin
Donovan, and Gabriel Sherman pose on the red carpet during arrivals for
the screening of the film "The Apprentice" in competition at the 77th
Cannes Film Festival in Cannes, France, May 20, 2024. REUTERS/Clodagh
Kilcoyne |
The
film shares its title with the reality show that helped turn
Trump into a household name.
Sebastian Stan, who made his name in the Captain America trilogy
as the Winter Soldier, morphs into Trump, from his early stages
as an upstart working for his father's business to a brazen,
self-centered tycoon.
The story focuses on Trump's time under the tutelage of Roy
Cohn, a political fixer best known for his involvement in
Senator Joseph McCarthy's anti-communist scare campaigns of the
1950s and portrayed by "Succession's" Jeremy Strong.
His three rules for success, which Trump later takes credit for
while speaking with the writer of his business advice book "The
Art of the Deal", are prescient of his traits in office: deny
everything, always be on the attack and never admit defeat.
Abbasi is known for his eclectic film repertoire, including
2022's Cannes entry "Holy Spider" about the killings of sex
workers in Iran and "Border", a fantasy love story in Sweden.
Critics were mixed, praising for Stan and Strong while seeing
the film's basis in actual events as a limitation.
"Sebastian Stan Plays Donald Trump in a Docudrama That Nails
Everything About Him but His Mystery," read the headline for
entertainment website Variety, while trade publication IndieWire
pointed out that the film "can't get around the fact that Trump
is too base and pathological to be of much dramatic interest".
(Reporting by Miranda Murray; Editing by Alison Williams)
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