Actors union backs Scarlett Johansson
after claim of voice misuse by OpenAI
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[May 22, 2024]
(Reuters) - SAG-AFTRA, an influential body representing
television, radio, motion pictures, commercials and games artists, on
Tuesday backed Scarlett Johansson after the American actress raised
concerns over the voice feature of a new OpenAI system that she said
sounded "eerily similar" to her own.
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The 76th Cannes Film Festival - Screening of the film "Asteroid City" in
competition - Red Carpet Arrivals - Cannes, France, May 23, 2023. Cast
member Scarlett Johansson poses. REUTERS/Yara Nardi/File Photo |
OpenAI unveiled its latest artificial intelligence model,
GPT-4o, last week, featuring an audio-interacting persona named
"Sky".
Johansson said on Monday that she had previously turned down a
request from the company to use her voice for this system.
OpenAI CEO Sam Altman clarified that the voice belonged to a
different professional actress and said he was removing Sky's
voice from the company's products.
"We thank Ms. Johansson for speaking out on this issue of
crucial importance to all SAG-AFTRA members. We share in her
concerns and fully support her right to have clarity and
transparency regarding the voice used," a SAG-AFTRA spokesperson
said.
SAG-AFTRA, which represents about 160,000 entertainment and
media professionals globally, played a big role in securing
agreements from Hollywood studios for better pay and protections
against the use of AI for actors.
The dispute over the rights to actors' voices and images has
become a focal point in Hollywood as studios evaluate AI's
potential for creating new entertainment. The issue is
particularly relevant as computer-generated images and sounds
become increasingly indistinguishable from human ones.
SAG-AFTRA said it was "strongly championing federal legislation
that would protect their voices and likenesses" and will
continue engaging with OpenAI and other stakeholders "to
enshrine transparent and resilient protections for all of us."
(Reporting by Yuvraj Malik in Bengaluru; Editing by Anil D'Silva)
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