Quincy Jones, music titan who worked with everyone from Frank Sinatra to
Michael Jackson, dies at 91
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[November 04, 2024]
By HILLEL ITALIE
Quincy Jones, the multi-talented music titan whose vast legacy ranged
from producing Michael Jackson’s historic “Thriller” album to writing
prize-winning film and television scores and collaborating with Frank
Sinatra, Ray Charles and hundreds of other recording artists, has died
at 91.
Jones’ publicist, Arnold Robinson, says he died Sunday night at his home
in the Bel Air section of Los Angeles, surrounded by his family.
“Tonight, with full but broken hearts, we must share the news of our
father and brother Quincy Jones’ passing,” the family said in a
statement. “And although this is an incredible loss for our family, we
celebrate the great life that he lived and know there will never be
another like him.”
Jones rose from running with gangs on the South Side of Chicago to the
very heights of show business, becoming one of the first Black
executives to thrive in Hollywood and leaving behind a vast musical
catalog that includes some of the richest moments of American song and
rhythm. Over the past half century, it was hard to find a music lover
who did not own at least one record with Jones’ name on it or someone in
the music, television or movie industries who did not have some
connection to him.
Jones kept company with presidents and foreign leaders, movie stars and
musicians, philanthropists and business leaders. He toured with Count
Basie and Lionel Hampton, arranged records for Sinatra and Ella
Fitzgerald, composed the soundtracks for “Roots” and “In the Heat of the
Night,” organized President Clinton’s first inaugural celebration and
oversaw the all-star recording of “We Are the World.”
In a career that began when records were still played on vinyl at 78
rpm, singling out any work seems unfair. But honors likely go to his
productions with Jackson on “Off the Wall,” “Thriller” and “Bad,” albums
universal in their style and appeal. Jones’ versatility and imagination
fit perfectly with the bursting talents of Jackson as he sensationally
transformed from child star to the “King of Pop.” On such classic tracks
as “Billie Jean” and “Wanna Be Startin’ Somethin’,” Jones and Jackson
drew upon disco, funk, rock, pop, R&B and jazz and African chants. For
“Thriller,” some of the most memorable touches originated with Jones,
who recruited Eddie Van Halen for a guitar solo on the genre-defying
“Beat It” and brought in Vincent Price for a ghoulish voiceover on the
title track.
“Thriller” sold more than 20 million copies in 1983 alone, helped
Jackson become the first major Black artist to have a video played on
MTV and influenced countless performers.
“Michael had the look and the voice, and I had every sound you can think
of,” Jones would explain.
The list of his honors and awards fills 18 pages in his 2001
autobiography “Q”: 28 Grammys (out of 80 nominations), an honorary
Academy Award and an Emmy for “Roots.” He also received France’s Legion
d’Honneur and the Rudolph Valentino Award from the Republic of Italy. In
2001, Jones was named a Kennedy Center Honoree for his contributions to
American culture. He was the subject of a 1990 documentary, “Listen Up:
The Lives of Quincy Jones,” and his memoir made him a best-selling
author.
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Michael Jackson, left, holds eight awards as he poses with Quincy
Jones at the Grammy Awards in Los Angeles, Feb. 28, 1984. Quincy
Jones died at age 91. (AP Photo/Doug Pizac, File)
“Despite all the Grammys and the
special awards and testimonials that maturity bestows, it will
always be the values you carry within yourself — of work, love, and
integrity — that carry the greatest worth, because these are what
get you through with your dreams intact, your heart held firm and
your spirit ready for another day,” he wrote in his book.
Born in Chicago in 1933, Jones would cite the hymns his mother sang
around the house as the first music he could remember. But he looked
back sadly on his childhood, telling Oprah Winfrey that “There are
two kinds of people: those who have nurturing parents or caretakers,
and those who don’t. Nothing’s in between.” Jones’ mother suffered
from emotional problems and was eventually institutionalized, a loss
that made the world seem “senseless” for Quincy. He spent much of
his time in Chicago on the streets, with gangs, stealing and
fighting.
Music was his passion, and, almost literally, his salvation. As a
boy, he learned that a Chicago neighbor owned a piano and he soon
played it constantly himself. His father moved to Washington state
when Quincy was 10 and his world changed at a neighborhood
recreation center. Jones and some friends had broken into the
kitchen and helped themselves to lemon meringue pie when Jones
noticed a small room nearby with a stage. On the stage was a piano.
“I went up there, paused, stared, and then tinkled on it for a
moment,” he wrote in his autobiography. “That’s where I began to
find peace. I was 11. I knew this was it for me. Forever.”
Within a few years he was playing trumpet and befriending a young
blind musician named Ray Charles, who became a lifelong friend. He
was gifted enough to win a scholarship at the Berklee College of
Music in Boston, but dropped out when Hampton invited him to tour
with his band. Jones went on to work as a freelance composer,
conductor, arranger and producer. As a teen, he backed Billie
Holiday. By his mid-20s, he was touring with his own band.
“We had the best jazz band on the planet, and yet we were literally
starving,” Jones later told Musician magazine. “That’s when I
discovered that there was music, and there was the music business.
If I were to survive, I would have to learn the difference between
the two.”
His survivors include actor Rashida Jones and five other daughters:
Jolie Jones Levine, Rachel Jones, Martina Jones, Kidada Jones and
Kenya Kinski-Jones; son Quincy Jones III; brother Richard Jones and
sisters Theresa Frank and Margie Jay.
____
AP Entertainment writer Andrew Dalton and former AP Entertainment
Writer Sandy Cohen contributed to this report from Los Angeles.
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