Lore Segal, esteemed Austrian American writer who fled the Nazis as a
child, dies at 96
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[October 08, 2024]
By HILLEL ITALIE
NEW YORK (AP) — Lore Segal, an esteemed Viennese American author and
translator whose gift for words helped her family escape from the Nazis
and who later drew upon her experiences as a Jewish refugee and
immigrant for such fiction as “Other People's Houses” and “Her First
American,” died Monday at 96.
Segal, a longtime resident of Manhattan's Upper West Side, died in her
apartment after a brief illness, her publisher Melville House said in a
statement.
After settling in the U.S. in 1951, Segal wrote novels, short stories,
essays and children's books and translated the Bible and Grimms' fairy
tales, which featured illustrations by her friend Maurice Sendak. Her
life — filtered through memory and imagination — was her greatest muse.
“Other People's Houses,” released in 1964 and originally serialized in
the New Yorker, closely followed her childhood in Austria, her years in
foster care in London during World War II and her arrival in New York,
where the growing familiarity with the city’s sights and sounds —
“charged thus upon the air” — makes the “alien into a citizen.”
“Her First American” continued her early experiences in the U.S., while
“Lucinella” was a comic novella inspired by her time in the 1970s at the
Yaddo artist retreat in upstate New York. Segal, who taught at Columbia
University, Princeton University and several other schools, satirized
academic life in “Shakespeare's Kitchen.”
In 2019, she compiled her fiction and nonfiction in the anthology “The
Journal I Did Not Keep,” in which she summarized the importance and
imperfection of recapturing the past.
“I believe that the act of remembering and telling the story of what we
remember will always be to some extent fatal to the thing remembered,”
she wrote. “So what really happened?”
Her many admirers included such author-critics as Cynthia Ozick, Vivian
Gornick and Alfred Kazin. In 2008, she was a Pulitzer Prize finalist for
her novel “Shakespeare’s Kitchen.” The American Academy of Arts and
Letters inducted her in 2023.
Gornick would cite her “ironic intelligence" and “gift for detachment.”
In her fiction, Segal set a tone that was even, objective and
occasionally cutting, like her description of an artist in “Lucinella”
who “tends to mumble her words inside her mouth, so as to keep the
option of eating them.” She could also be intimate and familiar, with
such recurring characters as her alter ego Ilka, a Viennese refugee; and
Carter Bayoux, a Black intellectual with whom Ilka has an affair in “Her
First American.”
Her narratives were often sustained through passages of overheard
conversation, whether at a literary cocktail party in Harlem or a
gathering of faculty members in Connecticut. Several stories in her 2023
collection “Ladies' Lunch” were structured around the midday meals of
friends in advanced old age who share memories, regrets, fears and
everyday concerns.
“I like writing dialogue,” she told the online publication The Millions
in 2019. “I like it better than explaining. I’d rather have a character
develop and express him or herself through dialogue than explaining what
they’re thinking. It’s a preference. I like how we discover and uncover
ourselves through dialogue. I tell my students, you see any two people
together, walk behind them, listen, get the tone of their voice.”
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Author Lore Segal gestures during an interview in New York, Feb. 19,
2010. (AP Photo/Mary Altaffer, File)
Besides her books, Segal wrote for
The New York Times, The New Republic, the Forward and other
publications. The children's story “When Mole Lost His Glasses,”
with drawings by Sergio Ruzzier, was adapted into an educational
video featuring Spike Lee and then-New York Knick Stephon Marbury.
Segal married the literary editor David Segal in 1961 and had two
children. Her husband died of a heart attack in 1970.
She was born Lore Groszmann in Vienna in 1928, and grew up in a
prosperous neighborhood until the Nazis annexed the country a decade
later and antisemitism drove her family to ship her off on the
Kindertransport to London, a time Segal and her mother would discuss
in Mark Jonathan Harris’ Academy Award-winning documentary “Into the
Arms of Strangers.”
Separation somehow empowered her. Inquisitive and often impulsive,
she wrote so many letters to British authorities that they granted
her parents the rare privilege of letting them join her in London,
where they worked as domestic servants. Lore stayed with a series of
families, including one whose incomprehension of her past inspired
her first real storytelling.
“It seemed to me they had no idea of what it was like to live in
Vienna under Hitler,” Segal told The Associated Press in 2011. “They
were asking me questions that didn’t seem to be relevant. They had
some profound lack of information. So I got hold of one of those
little exercise books, homework books. I filled the 36 pages in
German with the story, which is essentially the story of ‘Other
People’s Houses.’”
After the war, Segal graduated from the University of London’s
Bedford College and lived briefly in the Dominican Republic — where
other family members had settled — until allowed in the United
States. Before becoming a writer, she discovered the various careers
she was not meant for: She was a “bad file clerk,” a “bad secretary”
and “pretty bad textile designer."
Writing, at first, also didn't seem to work because she believed she
had nothing to say. She had never been in love and thought “no big
things” had happened to her, not even during the war. Her
breakthrough came in a class at the New School for Social Research
in New York.
“After the class we all kept meeting and doing our own creative
writing class,” Segal told the AP. “And somebody said to me, ‘How
did you get to America?’ And I began to tell the stories. And there
was that experience, of people listening. It was lovely. Nobody had
ever done that. Most people don’t have that experience, their story
being valued.”
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