Almodovar's 'The Room Next Door' triumphs at Venice Festival
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[September 09, 2024]
By Crispian Balmer
VENICE (Reuters) -Spanish director Pedro Almodovar's first
English-language movie "The Room Next Door", which tackles the hefty
themes of euthanasia and climate change, won the prestigious Golden Lion
award at the Venice Film Festival on Saturday.
Starring Tilda Swinton and Julianne Moore, the film received an
18-minute standing ovation when it premiered at Venice earlier in the
week - one of the longest in recent memory.
Almodovar is a darling of the festival circuit and was awarded a
lifetime achievement award at Venice in 2019 for his bold, irreverent
and often funny Spanish-language features.
He also won an Oscar in the best foreign language category for his 1999
film "All About My Mother".
Now aged 74, he has decided to try his hand at English, focusing his
lens on questions of life, death and friendship. Speaking after
collecting his prize, he said euthanasia should not be blocked by
politics or religion.
"I believe that saying goodbye to this world cleanly and with dignity is
a fundamental right of every human being," he said, speaking in Spanish.
He also thanked his two female stars for their performances.
"This award really belongs to them, it's a film about two women and the
two women are Julianne and Tilda," he said.
While "The Room Next Door" had been widely tipped to win, the runner-up
Silver Lion award was a surprise, going to Italian director Maura
Delpero for her slow-paced drama set in the Italian Alps during World
War Two - "Vermiglio".
Australia's Nicole Kidman won the best actress award for her risque role
in the erotic "Babygirl", where she plays a hard-nosed CEO, who
jeopardizes both her career and her family by having a toxic affair with
a young, manipulative intern.
Kidman was in Venice on Saturday, but did not attend the awards ceremony
after learning that her mother had died unexpectedly.
France's Vincent Lindon was named best actor for "The Quiet Son", a
topical, French-language drama about a family torn apart by
extreme-right radicalism.
The best director award went to American Brady Corbet for his 3-1/2
hour-long movie "The Brutalist", which was shot on 70mm celluloid and
recounts the epic tale of a Hungarian Holocaust survivor played by
Adrien Brody, who seeks to rebuild his life in the United States.
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Pedro Almodovar and Isabelle Huppert, Venice, September 7, 2024.
REUTERS/Yara Nardi
"We have the power to support each
other and tell the Goliath corporations that try and push us around:
'No, it's three-and-a-half hours long and it's on 70mm," he told the
auditorium on Saturday.
ROAD TO OSCARS
The festival marks the start of the awards season and regularly
throws up big favourites for the Oscars, with eight of the past 12
best director awards at the Oscars going to films that debuted at
Venice.
The prize for best screenplay went to Murilo Hauser and Heitor
Lorega for "I'm Still Here", a film about Brazil's military
dictatorship, while the special jury award went to the abortion
drama "April", by Georgian director Dea Kulumbegashvili.
Sarah Friedland, an American-Jewish filmmaker, won the best director
award for "Familiar Touch" in Venice's Horizons section, which runs
alongside the main competition. She used her acceptance speech to
denounce Israel's war in Gaza.
"I must note I am accepting this award on the 336th day of Israel's
genocide in Gaza and 76th year of occupation," she said to loud
applause. "I believe it is our responsibility as film workers ... to
address Israel's impunity on the global stage."
Among the movies that left Venice's Lido island empty-handed were
Todd Phillips's "Joker: Folie à Deux," starring Joaquin Phoenix and
Lady Gaga, the sequel to his original "The Joker" which claimed the
top prize here in 2019.
Luca Guadagnino's "Queer," with Daniel Craig playing a gay drug
addict, and Pablo Larrain's Maria Callas biopic "Maria", starring
Angelina Jolie as the celebrated Greek soprano, also won plaudits
from the critics but did not get any awards.
The Venice jury this year was headed by French actress Isabelle
Huppert.
(Reporting by Crispian Balmer, Hanna Rantala and Roberto Mignucci;
Editing by Andrew Cawthorne)
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