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		Paramount gets green light for $8 billion merger. But what is the 
		psychic cost for company?
		[July 26, 2025]  By 
		DAVID BAUDER  
		With this week’s FCC approval, the merger between Paramount Global and 
		Skydance Media is expected to be completed in the coming weeks at a 
		value of $8 billion. The question for the new company is whether the 
		psychic cost is much higher.
 It has been a particularly rough few months at Paramount-owned CBS, 
		where the settlement of a lawsuit regarding “60 Minutes” and announced 
		end of Stephen Colbert's late-night show has led critics to suggest 
		corporate leaders were bowing to President Donald Trump.
 
 Following the Federal Communications Commission approval Thursday, one 
		of the triumvirate of current Paramount leaders, Chris McCarthy, said 
		that he would be leaving the company. McCarthy has been in charge of 
		fading cable properties like MTV, Comedy Central and Nickelodeon, 
		expected to bear the brunt of an estimated $2 billion in cost cuts 
		identified by Skydance leaders.
 
 Skydance head David Ellison is expected to head the new company, and he 
		has identified former NBC Universal executive Jeff Shell as the incoming 
		president.
 
 CBS News' trajectory will be scrutinized
 
 After the merger's Aug. 7 closing date, the new leaders will be watched 
		most closely for how they deal with CBS News, particularly given the $16 
		million paid in a settlement of Trump's complaint that last fall's “60 
		Minutes” interview was edited to make opponent Kamala Harris look good. 
		Two news executives — News CEO Wendy McMahon and “60 Minutes” executive 
		producer Bill Owens — resigned due to their opposition to the deal.
 
 The appointment of respected insider Tanya Simon to replace Owens this 
		week was seen as a positive sign by people at “60 Minutes.”
 
 Days before the FCC's vote, Paramount agreed to hire an ombudsman at CBS 
		News with the mission of investigating complaints of political bias. “In 
		all respects, Skydance will ensure that CBS's reporting is fair, 
		unbiased, and fact-based,” Skydance said in a letter to FCC Chairman 
		Brendan Carr.
 
		
		 
		The role of an ombudsman, or public editor, who examines a news outlet's 
		work is often positive — if they are given independence, said Kelly 
		McBride, an ethics expert who has had that role at NPR for five years. 
		“You really want the person to have loyalty only to their own judgment 
		and the journalistic mission of the organization,” she said.
 Having the sole mission of examining bias could be problematic, however. 
		To be fair, a journalist's work should be closely studied before making 
		that determination, not judged on the basis of one report or passage, 
		she said.
 
 Carr, in an interview with CNBC on Friday, said the role “should go a 
		long way toward restoring America's trust in media.” Anna Gomez, an FCC 
		commissioner who voted to reject the deal on Thursday, interpreted the 
		arrangement as a way for the government to control journalists.
 
		“They want the news media to report on them in a positive light or in 
		the light that they want,” Gomez told MSNBC. “So they don't want the 
		media to do their job, which is to hold government to account without 
		fear or favor.” 
		
		 
		
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            This image released by CBS shows Stephen Colbert during a taping of 
			"The Late Show with Stephen Colbert" on Monday, July 21, 2025, in 
			New York. (Scott Kowalchyk/CBS via AP) 
            
			 How the merger could ripple out 
			across Paramount properties
 According to published reports, Ellison has explored purchasing The 
			Free Press, a flourishing news site founded by Bari Weiss perhaps 
			best known for a former NPR editor's study of liberal bias in public 
			broadcasting. An Ellison spokeswoman did not return a message 
			seeking comment on Friday.
 
 Colbert's slow-motion firing — he'll work until the end of his 
			contract next May — was described by CBS as a financial decision 
			given late-night television's collapsing economics. Colbert's 
			relentless lampooning of Trump, and his criticism of the “60 
			Minutes” settlement, led to suspicion of those motives.
 
 “Was this really financial?” comic Jon Stewart wondered. "Or maybe 
			the path of least resistance for your $8 billion merger was killing 
			a show that you know rankled a fragile and vengeful president?”
 
 Stewart's profane criticism on his own Paramount-owned show may 
			provide its own test for Skydance. “The Daily Show” is one of the 
			few original programs left on Comedy Central, and his contract ends 
			later this year.
 
 In an odd way, Comedy Central's “South Park” buttresses CBS' claim 
			that the Colbert decision was financial, not political. Creators 
			Trey Parker and Matt Stone delivered an episode this week that 
			depicted a naked Trump in bed with the devil. Paramount just signed 
			Parker and Stone to a new $1.5 billion deal that Skydance executives 
			surely cleared; it makes the entire “South Park” library available 
			for streaming on Paramount+. a platform where Colbert's show doesn't 
			do nearly as well.
 
 Figuring out what to do with others at Paramount's cable networks, 
			or even the networks as a whole, will be an early decision for 
			Ellison, son of multibillionaire and Oracle co-founder Larry 
			Ellison.
 
 “There is a clear opportunity to improve Paramount's growth profile 
			by letting those assets go,” analyst Doug Creutz of TD Securities 
			told investors Friday. “On the other hand, we suspect the Ellisons 
			did not purchase Paramount in order to break it up for parts.”
 
 The merger also brings together the Paramount movie studio with one 
			of its most regular partners. David Ellison has been one of the 
			industry's top investors and producers since founding Skydance in 
			2006.
 
 Ellison has a challenge here, too: Years of uncertainty over its 
			future and modest investment in its movie pipeline has shrunk 
			Paramount's market share to last among the major studios. The 
			Paramount+ streaming service has been a money-loser.
 
 To revive Paramount, Ellison will look to revamp its streaming 
			operations, leverage its franchises and try to bolster family 
			content.
 
			
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