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		Benin grants citizenship to descendants of enslaved people. US singer 
		Ciara is among the first
		[July 29, 2025] 
		By MARK BANCHEREAU 
		DAKAR, Senegal (AP) — U.S. singer Ciara is one of the first public 
		figures to become a citizen of Benin under a recent law by the small 
		West African country granting citizenship to descendants of enslaved 
		people.
 The Grammy-winning performer's acquisition of citizenship at a ceremony 
		Saturday in the city of Cotonou is part of a broader initiative by Benin 
		to attract the Black diaspora, acknowledge the country’s role in the 
		transatlantic slave trade, and promote tourism focused on 
		slavery-related sites of remembrance.
 
 “By legally recognizing these children of Africa, Benin is healing a 
		historical wound. It is an act of justice, but also one of belonging and 
		hope,” Justice Minister Yvon Détchénou said at the ceremony.
 
 Here's what to know about Benin's efforts to welcome descendants of 
		enslaved people:
 
 Benin's Afro-descendant citizenship law
 
 In September, Benin passed a law granting citizenship to those who can 
		trace their lineage to the slave trade.
 
 It is open to anyone above 18 who doesn't already hold other African 
		citizenship and can provide proof that an ancestor was deported via the 
		slave trade from anywhere in sub-Saharan Africa. Beninese authorities 
		accept DNA tests, authenticated testimonies and family records.
 
 Last week, the government launched My Afro Origins, the digital platform 
		that processes applications.
 
 While Benin is not the first country to grant citizenship to descendants 
		of enslaved people, its citizenship law carries added significance, in 
		part because of the role it played in the transatlantic slave trade.
 
		
		 
		A national reckoning with its role in the slave trade
 European merchants deported an estimated 1.5 million enslaved people 
		from the Bight of Benin — a region that includes present-day Benin, Togo 
		and parts of Nigeria — to the Americas.
 
 Beninese kings actively participated in capturing and selling enslaved 
		people to Portuguese, French and British merchants. The former kingdoms 
		and the communities they raided still exist today as tribal networks.
 
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            Ciara walks on stage at the ESPY Awards at the Dolby Theatre in Los 
			Angeles, Wednesday, July 16, 2025. (AP Photo/Mark J. Terrill) 
            
			
			 Benin has long been working to 
			reconcile with its legacy of complicity. It has openly acknowledged 
			its role in the slave trade, a stance not shared by many other 
			African nations that participated.
 In the 1990s, it hosted an international conference to examine how 
			and where enslaved people were sold. In 1999, then-President Mathieu 
			Kérékou apologized to African Americans during a visit to a church 
			in Baltimore.
 
 ‘Memorial tourism’
 
 Alongside this national reckoning, “memorial tourism” around the 
			legacy of the slave trade has become a key approach of Benin’s 
			government to attract Afro-descendants.
 
 Memorial sites are mostly in Ouidah, one of Africa’s most active 
			slave-trading ports in the 18th and 19th centuries. They include the 
			Slave Route, which was the path marking enslaved people’s final 
			journey to ships, and the Door of No Return, a haunting doorway that 
			opens to the Atlantic Ocean where they left Africa, and their 
			families, for the last time.
 
 Sindé Chekete, the head of Benin’s state-run tourism agency, said 
			these sites give Afro-descendants the opportunity to learn about and 
			honor the struggles and resilience of their ancestors.
 
 “It may inspire some people to say ‘I want to return to Africa and 
			choose Benin to understand this history’," Chekete said.
 
 Following her citizenship ceremony, Ciara toured the historic city, 
			where she walked the Slave Route to the Door of No Return.
 
 “Between emotion, reflection and heritage, I experienced a profound 
			return to what truly matters,” she said.
 
 Ciara is best known for chart-topping hits like “Goodies” and “Level 
			Up,” her dynamic choreography, and her work in fashion and 
			philanthropy.
 
			
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