Lalo Schifrin, composer of the 'Mission: Impossible' theme, dies at 93
[June 27, 2025]
By MARK KENNEDY
Lalo Schifrin, the composer who wrote the endlessly catchy theme for
“Mission: Impossible” and more than 100 other arrangements for film and
television, died Thursday. He was 93.
Schifrin’s son Ryan confirmed that Schifrin died due to complications
from pneumonia. He died peacefully in his home in Los Angeles,
surrounded by family.
The Argentine won four Grammys and was nominated for six Oscars,
including five for original score for “Cool Hand Luke,” “The Fox,”
“Voyage of the Damned,” “The Amityville Horror” and “The Sting II.”
“Every movie has its own personality. There are no rules to write music
for movies,” Schifrin told The Associated Press in 2018. “The movie
dictates what the music will be.”
He also wrote the grand finale musical performance for the World Cup
championship in Italy in 1990, in which the Three Tenors — Plácido
Domingo, Luciano Pavarotti and José Carreras — sang together for the
first time. The work became one of the biggest sellers in the history of
classical music.
‘The most contagious tune ever heard’
Schifrin, also a jazz pianist and classical conductor, had a remarkable
career in music that included working with Dizzy Gillespie and recording
with Count Basie and Sarah Vaughan. But perhaps his biggest contribution
was the instantly recognizable score to television’s “Mission:
Impossible,” which fueled the just-wrapped, decades-spanning feature
film franchise led by Tom Cruise.
Written in the unusual 5/4 time signature, the theme — Dum-dum DUM DUM
dum-dum DUM DUM — was married to an on-screen self-destruct clock that
kicked off the TV show, which ran from 1966 to 1973. It was described as
“only the most contagious tune ever heard by mortal ears” by New Yorker
film critic Anthony Lane and even hit No. 41 on the Billboard Hot 100 in
1968.
Schifrin originally wrote a different piece of music for the theme song
but series creator Bruce Geller liked another arrangement Schifrin had
composed for an action sequence.
“The producer called me and told me, ‘You’re going to have to write
something exciting, almost like a logo, something that will be a
signature, and it’s going to start with a fuse,’” Schifrin told the AP
in 2006. “So I did it and there was nothing on the screen. And maybe the
fact that I was so free and I had no images to catch, maybe that’s why
this thing has become so successful — because I wrote something that
came from inside me.”
When director Brian De Palma was asked to take the series to the silver
screen, he wanted to bring the theme along with him, leading to a
creative conflict with composer John Williams, who wanted to work with a
new theme of his own. Out went Williams and in came Danny Elfman, who
agreed to retain Schifrin’s music.
Hans Zimmer took over scoring for the second film, and Michael Giacchino
scored the next two. Giacchino told NPR he was a hesitant to take it on,
because Schifrin’s music was one of his favorite themes of all time.
“I remember calling Lalo and asking if we could meet for lunch,”
Giacchino told NPR. “And I was very nervous — I felt like someone asking
a father if I could marry their daughter or something. And he said,
‘Just have fun with it.’ And I did.”
“Mission: Impossible” won Grammys for best instrumental theme and best
original score from a motion picture or a TV show. In 2017, the theme
was entered into the Grammy Hall of Fame.
U2 members Adam Clayton and Larry Mullen Jr. covered the theme while
making the soundtrack to 1996’s first installment; that version peaked
at No. 16 on the Billboard 200 with a Grammy nomination.
A 2010 commercial for Lipton tea depicted a young Schifrin composing the
theme at his piano while gaining inspiration through sips of the brand’s
Lipton Yellow Label. Musicians dropped from the sky as he added
elements.
Early life filled with music
Born Boris Claudio Schifrin to a Jewish family in Buenos Aires — where
his father was the concertmaster of the philharmonic orchestra —
Schifrin was classically trained in music, in addition to studying law.
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Grammy Award winning composer Lalo Schifrin appears at his studio in
Beverly Hills, Calif., on May 10, 2006. (AP Photo/Damian Dovarganes,
File)
 After studying at the Paris
Conservatory — where he learned about harmony and composition from
the legendary Olivier Messiaen — Schifrin returned to Argentina and
formed a concert band. Gillespie heard Schifrin perform and asked
him to become his pianist, arranger and composer. In 1958, Schifrin
moved to the United States, playing in Gillespie’s quintet in
1960-62 and composing the acclaimed “Gillespiana.”
The long list of luminaries he performed and recorded with includes
Ella Fitzgerald, Stan Getz, Dee Dee Bridgewater and George Benson.
He also worked with such classical stars as Zubin Mehta, Mstislav
Rostropovich, Daniel Barenboim and others.
Schifrin moved easily between genres, winning a Grammy for 1965’s
“Jazz Suite on the Mass Texts” while also earning a nod that same
year for the score of TV’s “The Man From U.N.C.L.E.” In 2018, he was
given an honorary Oscar statuette and, in 2017, the Latin Recording
Academy bestowed on him one of its special trustee awards.
Later film scores included “Tango,” “Rush Hour” and its two sequels,
“Bringing Down The House,” “The Bridge of San Luis Rey,” “After the
Sunset” and the horror film “Abominable.”
Writing the arrangements for “Dirty Harry,” Schifrin decided that
the main character wasn’t in fact Clint Eastwood’s hero, Harry
Callahan, but the villain, Scorpio.
“You would think the composer would pay more attention to the hero.
But in this case, no, I did it to Scorpio, the bad guy, the evil
guy,” he told the AP. “I wrote a theme for Scorpio.”
It was Eastwood who handed him his honorary Oscar.
“Receiving this honorary Oscar is the culmination of a dream,”
Schifrin said at the time. “It is mission accomplished.”
Beyond film and TV
Among Schifrin’s conducting credits include the London Symphony
Orchestra, the Vienna Symphony Orchestra, the Israel Philharmonic,
the Mexico Philharmonic, the Houston Symphony Orchestra, the Los
Angeles Chamber Orchestra and the Atlanta Symphony Orchestra. He was
appointed music director of Southern California’s Glendale Symphony
Orchestra and served in that capacity from 1989-1995. Schifrin also
wrote and adapted the music for “Christmas in Vienna” in 1992, a
concert featuring Diana Ross, Carreras and Domingo.
He also combined tango, folk and classical genres when he recorded
“Letters from Argentina,” nominated for a Latin Grammy for best
tango album in 2006.
Schifrin was also commissioned to write the overture for the 1987
Pan American Games, and composed and conducted the event’s 1995
final performance in Argentina.
And for perhaps one of the only operas performed in the ancient
Indigenous language of Nahuatl, in 1988 Schifrin wrote and conducted
the choral symphony “Songs of the Aztecs.” The work premiered at
Mexico’s Teotihuacan pyramids with Domingo as part of a campaign to
raise money to restore the site’s Aztec temple.
“I found it to be a very sweet musical language, one in which the
sounds of the words dictated interesting melodies,” Schifrin told
The Associated Press at the time. “But the real answer is that
there’s something magic about it. ... There’s something magic in the
art of music anyway.”
He's survived by his sons, Ryan and William, daughter, Frances, and
wife, Donna.
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