Sir Anthony Hopkins on his debut album: 'My first love is music'
[August 12, 2026]
By MARIA SHERMAN
NEW YORK (AP) — It may be hard to believe, but even Sir Anthony Hopkins
doubts himself sometimes.
“There’s a part of me which says, ‘you didn’t write that,’” he recalls
of composing his debut album, “Life Is a Dream." "What’s it called?
Impostor syndrome."
Thankfully, it did not stop him from finishing the collection of 12
compositions he crafted over six decades.
Conducted by Gustavo Dudamel, performed by the Philharmonia Orchestra
and recorded at London's Alexandra Palace in April, it will be released
by Decca Records on Aug. 21.
“My first love, or vocation really, is music,” said the 88-year-old
actor. “That sounds very official, but I was raised with a lot of music
(of the) postwar years, and it influenced me. And I started playing the
piano when I was quite young.”
He picked up the instrument at 4 and began composing years later,
writing his first piece, a waltz, in 1960. He was 22 at the time.
“I find more freedom with music,” he says, compared to acting, which he
labels “a discipline, you have to know your stuff. But music for me is a
freewheeling kind of art form.”
And he's had his fair share of experience. Prior to the release of “Life
Is a Dream,” Hopkins had composed scores for a number of films.
“The opening of ‘Shadowlands’ is my first adventure in composing music,”
he said, referring to the 1993 film he starred in as “The Chronicles of
Narnia” author C.S. Lewis. Then he became the principal composer on a
few other movies that he also starred in and directed, including 1996's
“August" and 2007's “Slipstream." 2020’s “Elyse.”
Hopkins' childhood informed “Life Is A Dream”
“It's about my childhood,” he says of the album, which shares its title
with the Pedro Calderón de la Barca play. “It's basically the memories
of my childhood and growing up in Wales, and my developments in life, my
adolescent years," and so on.
But he says "there’s a great sadness in it all because — don’t get me
wrong, I’ve had a wonderful life — but underneath it all, there is the
knowledge that life is one long goodbye. From the moment we’re born, we
begin to die,” he starts to laugh. “Sounds so cheerful!”
That tension — or better put, wisdom — carries throughout the release.
Take the first single as an example. “1947: Suite for Solo Piano and
Orchestra: ll. Bracken Road” is the middle composition in a three-part
suite about a particular summer in South Wales. He says it contains a
“melancholy and sadness,” a sense that arises with its cello.
“It’s the welcomed sound of nostalgia, of the strange, whimsical pain of
life,” he describes the song. “All music is actually based in pain.
Sounds pretty preposterous, but it is. It’s about the yearning.”
The same can be said about the song “Stella Aria" — named after his
wife, director and actor Stella Hopkins — that deals with “the
loneliness in all of us,” he says, but is part of a path to "sheer
happiness.”
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Anthony Hopkins arrives at the Oscars in Los Angeles on March 27,
2022. (AP Photo/Jae C. Hong, File)
 Hopkins has been reflecting for
quite some time now — both in his memoir, “We Did OK, Kid,” released
last fall — and on this album. “I look at my own life now, and
especially this year; I’m going to be 89 at the end of the year. And
I look back and I’m thinking, ‘good God, I couldn’t have planned any
of this.’ From the moment I decided to become an actor, 70 years
ago, I thought … ‘Why did I do that?’ I didn’t know, because I was
pretty useless in school? I didn’t know what else to do. So I tried
for a scholarship, became an actor instead of a musician. And
suddenly I’m given a huge plate of success by some force of nature.”
“I'm without fear of mortality,” he adds. “I'm just so grateful I’ve
lived this long.”
How Bradley Cooper was instrumental in the album
In a surprising turn of events, actor Bradley Cooper “passed me on
to Dudamel,” says Hopkins, after witnessing Hopkins' composition a
few years before with the Birmingham Symphony Orchestra, conducted
by Michael Seal. Dudamel was on board.
But when it came time to record at Alexandra Palace earlier this
year, “I’m sitting there thinking, ‘How the hell did I write this?'
I have no idea,” said Hopkins. “And Dudamel said, ‘This is
wonderful.’ … He is one of the most astonishing people I’ve met.
He’s so full of life and so full of energy and love, and it’s quite
extraordinary.”
It's a shared affection.
“The same depth of imagination, humanity and emotional truth that
has defined his extraordinary work on stage and screen is present in
his music,” Dudamel said in a statement. “Anthony approaches music
with the heart of a storyteller and the instincts of a poet,
creating sound worlds that are both deeply personal and universally
resonant.”
Live performance may be on the horizon
After his debut album, live performances may be next. Top of
Hopkins' list is Carnegie Hall.
“That’s where I want to go. That’s what I want,” he says.
The 1947 film “Carnegie Hall” was a formative film for him, and he
has the distinct memory of his mother saying, “You play at Carnegie
Hall one day.”
It is yet another dream in a life full of them.
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