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Logan
County Master Gardeners
host spring activities
‘Treemendous
Tree’ Contest
[APRIL
9, 2002] The
Logan County Master Gardeners are springing forward with several
activities to promote horticulture in the county. Mark your
calendars for April 27, when they will have a plant sale, planned to
become an annual event. Perennials and houseplants will be available
for purchase at the Extension office located at 980 Postville Drive.
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The
group will celebrate Arbor Day by sponsoring several activities
April 30 through the first of May. Kickoff of the Arbor Day
activities will be on April 30. Larry Mayhan, author of "In
Search of Big Trees," will be the guest speaker at the Logan
County Extension building at 7 p.m. This meeting is open to the
public, and you are cordially invited to attend.
The
Master Gardeners are also sponsoring a "Treemendous Tree"
Contest, searching out the biggest trees of Logan County. All
residents and property owners of Logan County are eligible to enter.
Entry forms will be available at local banks and businesses
throughout the county. Entries will close May 3, with trees being
measured the following week and certificates awarded. [See
more information on the tree contest.]
Don’t
know where to put those plants you bought at the plant sale? The
Master Gardeners will host a garden walk in Lincoln on June 8. Eight
beautiful gardens in Lincoln will be featured. Highlights include
gardens with water features, antique roses and the Scully estate.
The gardens are truly inspiring and will give you many great ideas
as well as an enjoyable day about town.
[to top of second column in this
article]
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It
is the goal of the Master Gardeners to encourage citizens of Logan
County to develop a greater appreciation for horticulture in their
community. Interested in becoming a Master Gardener? Classes will
begin this fall. The group encourages all people who are interested
in gardening to "grow" along with them.
If
you have any questions, please direct them to John Fulton at
732-8289.
[News
release]
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‘Stained
Glass’
[APRIL
3, 2002] "Stained
Glass." Michael Bedard. Tundra Books, 2001. Grade 7 and up.
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This
well-written story is totally about the lives of three characters
— their past, present and future — but mostly their past. Bedard’s
book is different from others I’ve recently read because it is the
character development rather than plot development that grabs you
and keeps you reading.
Charles
had been hiding in St. Bartholomew church each Friday when he was
supposed to be taking piano lessons. One day while hiding he
witnessed the accidental breaking of one of the church’s
stained-glass windows. When went to the window to help clean up the
broken glass, he met a young girl who had apparently been sleeping
on the floor under the window.
Unable
to get the image of the girl out of his mind, Charles returned to
the church the next morning to see if she was still there. The girl
was there with her guitar but had no memory of her past. Charles
thought he could help her remember if they walked around town. The
first place they stopped was a restaurant. While there, Charles put
money in the jukebox and chose an Elvis song, but an aria by Bach
was heard on the speakers. The girl seemed to know the tune and
played along on the guitar.
Another
piece of her memory came back during a visit to the library. Charles
chose a book of baby names and started to read the list. Ambriel was
the name she chose. Unfortunately, in their haste to leave they
accidentally took the book with them.
[to top of second column in this
review]
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As
Charles and Ambriel walked all over town, up and down streets,
through the parks and the glass-domed conservatory, Ambriel picked
up pieces of broken glass as well as vague memories. In helping
Ambriel jog her memory, Charles realized that places they visited
and items seen also brought back pieces of his memory. He glimpsed
an old book that was a favorite his older sister had read to him,
saw handprints in the cement, smelled lilies and heard the sound of
broken glass.
"Was
there some sense to them, some pattern to the pieces?" he
wondered. "…Did they tell a story like the stories in the
stained glass at St. Bart’s?"
Just
as Charles and Ambriel were piecing together memories, Mr. Berkely
was trying to piece together the broken window before Sunday. As he
worked he would look behind him, expecting to see someone standing
there. "The sense of presence grew stronger as time passed and
the glass came slowly together."
While
working to repair the stained-glass window, George Berkely realized
the extent of his grief and worked through it by using glass-making
skills he hadn’t used since his wife’s death. Charles also began
to work through the grief of his father’s death while visiting the
areas of town with Ambriel.
In
the end the reader is left to decide who Ambriel was and where she
came from, and Charles recognized that all the events of his life
were still present in memory and part of the pattern that made him
who he was.
"Stained
Glass" is a thought-provoking gem to be enjoyed by young adults
and adults.
[Pat
Schlough, Lincoln Public Library District]
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Auditions
for summer shows
[APRIL
9, 2002] Lincoln
Community Theatre is looking for local talent to sing, dance and act
in its summer 2002 productions. Singing and non-singing roles are
available.
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If
auditioning for a role in one of this summer’s musical
productions, individuals should have a song prepared. An accompanist
will be available. Individuals should also be prepared to learn a
few basic dance steps at the audition.
Those
auditioning for non-singing roles will be required to do cold
readings from the script. Scripts may be viewed at the Lincoln
Public Library two weeks prior to each audition. Library scripts may
not be removed from the building.
All
auditions will be conducted at St. John Church of Christ, 204
Seventh St. in Lincoln.
Production
and audition dates are as follows:
• "Hello, Dolly!"
Performance
dates: June 14-22
Auditions:
• Friday, April 12, 6 p.m.
• Saturday, April 13, 10 a.m.
• Sunday, April 14, 2 p.m., callbacks only
You
will be asked to sing a song, your choice or one from "Hello,
Dolly." You will also be taught a simple dance (you do not need
to prepare one). The director is looking in the age range of 25 to
60, but all are welcome to audition.
• "Dearly Departed"
Performance
dates: July 12-20
Auditions:
• Friday, May 10, 6:30 p.m.
• Saturday, May 11, 10 a.m.
The
director is looking for actors age 20 and above. There will be four
to six men, six to eight women, a trio of singers and a part for one
teenage girl. There are lots of parts for older mature actors.
People auditioning should plan to be there for entire audition
session (1½ to two hours).
[to top of second column in
this article]
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• "The King and I"
Performance
dates: Aug. 2-10
Auditions:
• Friday, May 31, 6 p.m., adults only
• Saturday, June 1, 9 a.m., children only (ages 5-14)
• Saturday, June 1, 1 p.m., adults unable to audition Friday
• Sunday, June 2, 2 p.m., callbacks only
There
are two male child leads. Adult roles include eight men and 11
females. Dancers are also needed. Be prepared to audition with a
song showing your vocal range.
More
information is available at the LCT website: http://www.geocities.com/
lincolncommunitytheatre/.
Season
tickets are still available for this season. Send check or money
order ($20 adults, $12 children through eighth grade) to LCT, Box
374, Lincoln, IL 62656.
For
further information regarding season memberships or the auditions,
call (217) 732-2640 or (217) 732-4763.
[Judy
Rader, LCT publicity chairman]
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Community
Concert review
Boston
Brass
By Gina
Sennett
[MARCH
14, 2002] Boston
Brass is, as they sound, a quintet of brass instrument players. The
brass instruments themselves were numerous. They include a French
horn, a trombone, a tuba and various trumpets (such as the tiny
piccolo trumpet). The players’ costumes — bright purple suit
jackets — seem to be their signature.
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The
members of the group include Richard Kelly, trumpet player from
Juilliard School of Music; Jeff Conner, trumpet player from Boston
University and Boston Conservatory; J.D. Shaw, French horn player
from the Eastman School of Music; Ed Clough, trombone player from
Boston University; and Andrew Hitz, tuba player from Northwestern
University and Arizona State University.
Many
of their musical numbers were originally written for other
instruments but were arranged by J.D. Shaw, their talented French
horn player. This includes their opening piece, "Tournament
Gallop," by the first American piano virtuoso, Louis Moreau
Gottschalk. When asked why it took five instruments to play the
one-instrument piece, Shaw explained that Gottschalk had 10 fingers,
and between the five of them, they have 10 lips.
Other
Shaw arrangements included Dmitri Shostakovich’s String Quartet
No. 8, Op. 110 (also in the first half) and Duke Ellington’s
"Caravan."
The
rest of the first half consisted of "Danza Finale" from
Alberto Ginastera’s nationalistic ballet "Estancia,"
Franz Liszt’s Hungarian Rhapsody No. 2 (made famous by Bugs Bunny)
and Henry Fillmore’s "Circus Bee."
The
mood was light and classical. The pieces were fun but inspired
reverence, as most classical pieces will.
[to top of second column in
this review]
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The
second half, however, the mood shifted. The purple jackets and black
shirts were replaced with black jackets and purple shirts. The music
moved from the strong, stuffy sounds of the first act’s classical
pieces to the darker, toe-tapping sound of a jazz nightclub.
The
group led off with Joe Garland’s "In the Mood," followed
by Josef Kosma’s "Autumn Leaves." They also played the
haunting theme from David Raksin’s film noir "Laura."
On
the fun side, there was an upbeat piece that tuba player Andrew Hitz
claimed was the secret to his parents’ marriage. He said his
father would simply recite the title of this piece at the end of
each "discussion." It was Sid Wyche’s "Alright,
O.K., You Win!" Following
this, the audience was asked to please pardon them, because they had
not had time for dessert and wished to have some "Ice
Cream." Proving that they not only can play circles around many
brass musicians, but they do barbershop as well, the five began to
croon the "Ice Cream/How Can There Be Any Sin in Sincere"
medley from "The Music Man."
The
show wound down with a Benny Golson tribute to musician Clifford
Brown called simply "I Remember Clifford."
The
finale, however, pumped the audience back up. The finale was the
aforementioned arrangement of Duke Ellington’s
"Caravan," which included three different style
arrangements: swing, bebop and samba.
As
was surely intended, this left the audience worked up and craving
more. So the encore brought them back down and "brought them
home." It was, of course, "The Night Train" by James
Brown.
Alas,
this fabulous concert was the fourth of five in this year’s
series. That means there is only one concert left. However, that
also means that next year’s community concert tickets will be
available soon! So if you are upset because you missed these musical
treats, take heart. Very soon, you can assure that you won’t make
that mistake again.
[Gina
Sennett]
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Lincoln Community Theatre
information
Lincoln
Community Theatre’s website is at www.geocities.com/lincolncommunitytheatre/index.html. Pictures from past productions are
included. The LCT mailing address is Lincoln Community Theatre, P.O. Box 374, Lincoln,
IL 62656. E-mail: lincolncommunitytheatre@yahoo.com.
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