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Entertainment
update
[MARCH
28, 2002] This
Saturday night, March 30, from 7 to 10, Tom Quinn will be doing a
live performance at Coffee With Einstein. A note to anyone who hasn’t
been there before: It’s located at 604 Broadway, on the
square in Lincoln.
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A
heartbreaking tragedy of musical proportions a few weeks ago left
Tom Quinn with a guitar in more than one piece. But, as Tom would
say, no worries...
A
divine appointment left Tom with a replacement while his was being
fixed (for an unbelievable deal).
Please
come out and support Tom — and remember, Thursday night is Open
Mic Night. Be looking for openmicnight.com, coming soon!
[Announcement
from Franz Express]
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‘In
Spite of Killer Bees’
[MARCH
27, 2002] "In
Spite of Killer Bees," by Julie Johnston. Tundra Books, 2001,
253 pages.
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This
is a coming-of-age novel about the three Quade sisters, 14-year-old
Aggie, rebellious 17-year-old Jeannie and 22-year-old Helen. Their
father, a small-time gambler and thief who eventually went to prison
for a while, raised the girls after their mother deserted them. When
their father dies, Mrs. Muntz takes the girls in. She owns a deli
and all of the girls work in it.
Aggie
is obsessed with movies, and to help cope with reality she pretends
that her life is a movie script. The script changes as her situation
changes.
One
day they receive a letter from a lawyer telling them that their
paternal grandfather has died and named them as beneficiaries in his
will. The girls pack up everything they can fit into their beat-up
old car and drive to the coastal town of Port Desire, somewhere in
Canada.
Their
grandfather was a very wealthy and influential man, and Port Desire
is a small town, so everyone knows about their mother and father and
the trouble their father got into. The sisters soon meet some of
their relatives who think the girls may even be imposters just
hoping to get rich. In fact, they are expecting to inherit lots of
money, but those hopes are dashed after their visit to the lawyer’s
office.
The
will states that they will inherit the huge mausoleum of a house
that their grandfather lived in, but with a certain condition. They
must convince their great-aunt Lilly, their grandfather’s sister,
to leave her island and come and live with them before the lake
freezes up. This gives them four or five months to convince a woman
they hardly know, and who is suspicious of them, to live with them
and be a family. The three sisters don’t even know how to be a
family, and Aggie struggles with that fact most of the time.
[to top of second column in this
review]
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Helen
and Jeannie don’t believe that they can accomplish the conditions
of the will, so they decide to just bide their time until they can
get out of there. They both get part-time jobs to at least keep food
on the table.
Aggie
is the most optimistic about the situation, so she enrolls in
school. She finds her school wardrobe in the attic, and at first the
other students are a little wary of her. She eventually connects
with the students in Miss Greenwald’s English class. Aggie
suggests that the class should make a movie, and they elect her as
director.
The
girls’ mother, Candy, shows up a couple of weeks before Christmas.
Aggie is thrilled, but Helen and Jeannie have a hard time with it.
The
class movie is a success, but something happens during the community
viewing of the film that brings the story to an exciting climax.
The
story ends happily, even though Aggie must accept the fact that her
mother is not the person she had created her to be in her mind, and
her dreams of a stable family are realized in a nontraditional way.
This
story will appeal to teens because of the honesty and openness of
Aggie and her sisters in their situation. Julie Johnston’s
descriptions of the way teens and young adults react in certain
situations are very contemporary and realistic. This book is
recommended for junior high and high school readers because of
language and content.
For
more information about this book, please visit the library at 725
Pekin St. or call (217) 732-5732.
[Linda
Harmon, Lincoln Public Library District]
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Community
Concert review
Boston
Brass
By Gina
Sennett
[MARCH
14, 2002] Boston
Brass is, as they sound, a quintet of brass instrument players. The
brass instruments themselves were numerous. They include a French
horn, a trombone, a tuba and various trumpets (such as the tiny
piccolo trumpet). The players’ costumes — bright purple suit
jackets — seem to be their signature.
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The
members of the group include Richard Kelly, trumpet player from
Juilliard School of Music; Jeff Conner, trumpet player from Boston
University and Boston Conservatory; J.D. Shaw, French horn player
from the Eastman School of Music; Ed Clough, trombone player from
Boston University; and Andrew Hitz, tuba player from Northwestern
University and Arizona State University.
Many
of their musical numbers were originally written for other
instruments but were arranged by J.D. Shaw, their talented French
horn player. This includes their opening piece, "Tournament
Gallop," by the first American piano virtuoso, Louis Moreau
Gottschalk. When asked why it took five instruments to play the
one-instrument piece, Shaw explained that Gottschalk had 10 fingers,
and between the five of them, they have 10 lips.
Other
Shaw arrangements included Dmitri Shostakovich’s String Quartet
No. 8, Op. 110 (also in the first half) and Duke Ellington’s
"Caravan."
The
rest of the first half consisted of "Danza Finale" from
Alberto Ginastera’s nationalistic ballet "Estancia,"
Franz Liszt’s Hungarian Rhapsody No. 2 (made famous by Bugs Bunny)
and Henry Fillmore’s "Circus Bee."
The
mood was light and classical. The pieces were fun but inspired
reverence, as most classical pieces will.
[to top of second column in
this review]
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The
second half, however, the mood shifted. The purple jackets and black
shirts were replaced with black jackets and purple shirts. The music
moved from the strong, stuffy sounds of the first act’s classical
pieces to the darker, toe-tapping sound of a jazz nightclub.
The
group led off with Joe Garland’s "In the Mood," followed
by Josef Kosma’s "Autumn Leaves." They also played the
haunting theme from David Raksin’s film noir "Laura."
On
the fun side, there was an upbeat piece that tuba player Andrew Hitz
claimed was the secret to his parents’ marriage. He said his
father would simply recite the title of this piece at the end of
each "discussion." It was Sid Wyche’s "Alright,
O.K., You Win!" Following
this, the audience was asked to please pardon them, because they had
not had time for dessert and wished to have some "Ice
Cream." Proving that they not only can play circles around many
brass musicians, but they do barbershop as well, the five began to
croon the "Ice Cream/How Can There Be Any Sin in Sincere"
medley from "The Music Man."
The
show wound down with a Benny Golson tribute to musician Clifford
Brown called simply "I Remember Clifford."
The
finale, however, pumped the audience back up. The finale was the
aforementioned arrangement of Duke Ellington’s
"Caravan," which included three different style
arrangements: swing, bebop and samba.
As
was surely intended, this left the audience worked up and craving
more. So the encore brought them back down and "brought them
home." It was, of course, "The Night Train" by James
Brown.
Alas,
this fabulous concert was the fourth of five in this year’s
series. That means there is only one concert left. However, that
also means that next year’s community concert tickets will be
available soon! So if you are upset because you missed these musical
treats, take heart. Very soon, you can assure that you won’t make
that mistake again.
[Gina
Sennett]
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Lincoln Community Theatre
information
Lincoln
Community Theatre’s website is at www.geocities.com/lincolncommunitytheatre/index.html. Pictures from past productions are
included. The LCT mailing address is Lincoln Community Theatre, P.O. Box 374, Lincoln,
IL 62656. E-mail: lincolncommunitytheatre@yahoo.com.
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