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Eagle exhibit on display at library
[APRIL
16, 2002] The
Illinois Audubon Society’s traveling exhibit on eagles is now on
display at the Lincoln Public Library, 725 Pekin St. The display is
in the Annex and can be seen during library hours, 9 a.m. to 8 p.m.
Monday through Thursday, 9 a.m. to 6 p.m. Friday, and 9 a.m. to 3
p.m. Saturday.
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North
America’s bald eagle, the national symbol of the United States, is
at last making a comeback after its precipitous decline in the
mid-1900s. In the 1800s, bald eagles were widespread throughout
Illinois, building nests and raising their young. But by the mid
1900s they were on the endangered species list.
[Photos by Joan Crabb]
Today
these magnificent birds, having a 6- to 7-foot wingspan, standing 3
feet long from head to tail, and weighing 8 to 10 pounds, can once
again be seen in Illinois.
Because
of the widespread use of DDT and other pesticides, eagles and some
other raptors (birds that kill and eat other animals) became
endangered in the lower 48 states. The chemicals washed into rivers
and streams and became concentrated in fish, the eagle’s favorite
food. The eagles ate the contaminated fish and began laying eggs
with shells so thin they would break before they could hatch. Some
birds were also illegally shot and poisoned.
Since
the ban on DDT, these birds have begun to increase in numbers and
can now be seen in Illinois, especially in winter, along the
Mississippi and Illinois rivers. Along the Illinois River, they can
be seen at Starved Rock State Park, Rice Lake and Chautauqua
National Wildlife Refuge. The birds especially like areas below dams
that provide open water where they can catch fish. Many of the
eagles that winter in Illinois will migrate to the upper Midwest and
Canada for nesting in the spring, but several pairs are nesting in
Illinois once more.
[to top of second column in this
article]
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Bald
eagles can live for 30 years in the wild and often mate for life.
They like to return year after year to the same nesting site, a
platform of sticks and branches high above ground, usually near
water. Both parents feed and care for the young.
These
birds do not mature and acquire their adult plumage, the distinctive
white head and tail and huge yellow beak, until they are about 4
years old. Until that time, young bald eagles are brownish-black,
although they are as big as adult birds.
The
golden eagle, the other species found in the lower 48 states, is
brown with a golden wash over the back of the head and neck. This
bird is rare in the East but is fairly common in the West, where it
lives in mountainous areas and hunts for small mammals, snakes,
birds and carrion.
[Leslie Starasta reads about bald eagles at the
Lincoln Public Library display.]
The
Illinois Audubon Society, founded in 1897, is one of the oldest
conservation groups in the Midwest. It focuses primarily on state
and local issues, working to preserve habitat, promote good
conservation practices, and foster an appreciation of wildlife
through its education program. It is not affiliated with the
National Audubon Society. The traveling exhibits are funded, in
part, by a grant from the Illinois Department of Natural Resources,
Natural Heritage Division, which is also supported by the Illinois
Wildlife Preservation Fund.
The
Illinois society is a non-profit organization, and contributions are
tax deductible. Information can be obtained from its headquarters at
Illinois Audubon Society, P.O. Box 2418, Danville, IL 61834-2418, or
on the website, www.illinoisaudubon.org.
[Joan
Crabb]
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‘Journey
to the River Sea’
[MAY
1, 2002] "Journey
to the River Sea." Eva Ibbotson. Dutton, 2001. 298 pages.
Grades 5-9.
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Ibbotson’s
story is one that explodes with adventures. The year is 1910, and
Maia, an orphan, has just learned that she will be sent from the
school where she lives to Brazil to live with relatives she has
never met. As she prepares to leave she is excited about the region
where she will live and thrilled with the fact that she will live
with a real family, which includes twin daughters her age.
When she boards the boat she will meet her new governess, who will
accompany her on the trip and remain in Brazil to teach Maia and the
twins.
The
boat ride is just the first of many adventures that Maia will
encounter, and it is on the boat that she meets Clovis. Clovis is a
child actor who is going to be appearing in some theaters in the
cities of Brazil. He had been promised that he would become rich and
famous, but so far that hasn’t happened. He’s been doing a lot
of traveling, so he is anxious to hear all that Maia can tell him
about London, where his adoptive mother still lives.
It
doesn’t take Maia long after her arrival to realize that her
relatives, the Carters, are willing to take care of her only because
of the monthly allowance they will receive. The twins are greedy and
hateful, and they use every opportunity to torment Maia.
Miss
Minton realizes this from the beginning and has a plan so that Maia
can study by herself. Miss Minton asks Maia to pretend to be a lot
slower at learning than the twins, and then the governess will tell
Mrs. Carter that Maia is holding the twins back in their studies.
Actually, it is just the opposite. The plan works, and Maia gets to
study maps and read interesting books that Miss Minton has brought
with her in a trunk. The governess becomes one of Maia’s best
friends and protects her from the twins whenever possible.
[to top of second column in this
review]
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Maia
befriends the Indian servants who live in huts behind the main
compound and also a boy named Finn. Finn’s father, an Englishman,
and his mother, an Indian, have both died. Finn continues with
projects his father had started. Maia also has renewed her
acquaintance with Clovis, who is acting in the town near where she
lives.
The
plot picks up speed when the relatives of Finn’s father want him
to return to London to live at the family estate. Since Finn does
not want to return to England, he, Maia and Clovis develop a plan to
keep Finn in Brazil and allow Clovis to go in his place.
Finn
teaches Clovis all the family history, including people, places and
events he needs to know to successfully make the switch. The plan
almost falls apart at the last minute when Clovis panics, but Miss
Minton saves the day.
The
suspense continues to the end as Finn readies his boat to go in
search of his mother’s tribe and Maia continues to be on the alert
for the next Carter family trick.
Anyone
who loves adventure stories sprinkled with suspense and action will
like Ibbotson’s latest offering.
[Pat
Schlough, Lincoln Public Library]
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‘Silk
Satin and Swing’ closes
Community Concert series
[APRIL
25, 2002] All
this season, the Community Concerts have been lively, energetic and
perhaps focused a bit more on entertainment than on good
musicianship, though all of the artists who have been featured are
wonderful musicians. Some people, though, prefer to go to a concert
and listen to good music by good musicians. They don’t want gaudy
entertainment, just serious strings. This concert was for them.
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Concert
number five of this year’s Community Concert series was much more
toned down than the first four. With two violins and a piano, there
is not a whole lot of room for rowdiness outside of the music.
The
Galaxy Trio consists of Lenny Solomon, a jazz violinist who has won
many awards (including Violinist of the Year three years running at
The Jazz Report Awards); Moshe Hammer, a violinist and leader of The
Amadeus Ensemble for 17 years; and Bernie Senensky, a pianist
"recognized as one of the foremost accompanists in the
world."
Their
concert, "Silk Satin and Swing," consisted completely of
instrumentals (it is rather hard to sing with a violin under your
chin), including pieces by J.S. Bach, Beethoven and even Gershwin.
There were smooth classical pieces (some originally written for
violin and orchestra), inspiring jazz pieces and a suite written
specifically for the group by Bill Bridges, entitled "Celtic
Suite." The group performed the "Air" and the
"Reel" from this suite in their concert, and then
delighted the audience with the second movement, the
"Gigue" (pronounced "jig"), as an encore.
[to top of second column in this
article]
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Many
of the pieces were arranged for two violins and piano by pianist
Bernie Senensky.
Other
songs included "Blue Room" by Richard Rogers, "A
Nightingale Sang in Barkley Square" by Eric Maschwitz and even
"Matchmaker" by Jerry Bock (yes, that is from "The
Fiddler on the Roof").
Smooth
sounds and jazzy tunes dominated this concert. Though Solomon and
Hammer tried to spice it up with witty comments and jokes between
songs, the real appeal was in the music.
Yes,
it’s true; this year’s Community Concerts are over. It’s sad,
but don’t worry! The Concert in the Park series is right around
the corner! (Bring your own lawn chair.)
[Gina
Sennett]
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Auditions
for summer shows
[APRIL
9, 2002] Lincoln
Community Theatre is looking for local talent to sing, dance and act
in its summer 2002 productions. Singing and non-singing roles are
available.
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If
auditioning for a role in one of this summer’s musical
productions, individuals should have a song prepared. An accompanist
will be available. Individuals should also be prepared to learn a
few basic dance steps at the audition.
Those
auditioning for non-singing roles will be required to do cold
readings from the script. Scripts may be viewed at the Lincoln
Public Library two weeks prior to each audition. Library scripts may
not be removed from the building.
All
auditions will be conducted at St. John Church of Christ, 204
Seventh St. in Lincoln.
Production
and audition dates are as follows:
• "Hello, Dolly!"
Performance
dates: June 14-22
Auditions:
• Friday, April 12, 6 p.m.
• Saturday, April 13, 10 a.m.
• Sunday, April 14, 2 p.m., callbacks only
You
will be asked to sing a song, your choice or one from "Hello,
Dolly." You will also be taught a simple dance (you do not need
to prepare one). The director is looking in the age range of 25 to
60, but all are welcome to audition.
• "Dearly Departed"
Performance
dates: July 12-20
Auditions:
• Friday, May 10, 6:30 p.m.
• Saturday, May 11, 10 a.m.
The
director is looking for actors age 20 and above. There will be four
to six men, six to eight women, a trio of singers and a part for one
teenage girl. There are lots of parts for older mature actors.
People auditioning should plan to be there for entire audition
session (1½ to two hours).
[to top of second column in
this article]
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• "The King and I"
Performance
dates: Aug. 2-10
Auditions:
• Friday, May 31, 6 p.m., adults only
• Saturday, June 1, 9 a.m., children only (ages 5-14)
• Saturday, June 1, 1 p.m., adults unable to audition Friday
• Sunday, June 2, 2 p.m., callbacks only
There
are two male child leads. Adult roles include eight men and 11
females. Dancers are also needed. Be prepared to audition with a
song showing your vocal range.
More
information is available at the LCT website: http://www.geocities.com/
lincolncommunitytheatre/.
Season
tickets are still available for this season. Send check or money
order ($20 adults, $12 children through eighth grade) to LCT, Box
374, Lincoln, IL 62656.
For
further information regarding season memberships or the auditions,
call (217) 732-2640 or (217) 732-4763.
[Judy
Rader, LCT publicity chairman]
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Lincoln Community Theatre
information
Lincoln
Community Theatre’s website is at www.geocities.com/lincolncommunitytheatre/index.html. Pictures from past productions are
included. The LCT mailing address is Lincoln Community Theatre, P.O. Box 374, Lincoln,
IL 62656. E-mail: lincolncommunitytheatre@yahoo.com.
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