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When the international focus turned on Austria as a perpetrator instead of a victim of the Nazis in the 1980s, it enacted
-- and since enforced -- a law regulating returns of looted art. Many other West European nations have yet to follow suit, despite efforts made in the post war period. Among them is Germany, which has a good record on other restitution issue but has not enacted any new laws on returning art since lapsed decades ago. But among the worst cases are to be found in the former Soviet bloc. Restitution was not an issue while communists ruled. The Soviet Union raided Germany and other enemy territory for art troves in the dying days of World War II
-- and thus indirectly looted tremendous amounts of art confiscated by the Nazis from the Jews. To date, there is no record of any such pirated art being directly returned by the Kremlin to Jewish heirs. In contrast wartime culprits Austria had no choice but to bow to international pressure for restitution, while Germany has made the commitment but has only partially put it into effect. Since 1996, when Austria auctioned off unclaimed looted artworks for the benefit of the Jewish community, the nation's museums have handed back about 13,000 objects, according to the overview presented at last year's Prague conference. However, some settlements came only after years of litigation in foreign courts. Russia enacted legislation in 1998 and in 2000 purporting to allow claims. But it "has returned nothing to Holocaust victims since the passage of the law, although it sold some family items to the Rothschild Family," said Charles A. Goldstein, counsel of the Commission for Art Recovery. "Compare this to Austria, which is making a systematic search of its state collections and is returning stolen items when they are discovered even without request," he said. The Hungarian government had a terse response Friday to the suit filed three days earlier in U.S. District Court by the Herzog heirs after more than two decades of legal maneuvering
-- simply noting that a high Hungarian court had ruled in its favor on ownership. But critics argue that court's decision was flawed and reflects concerted government efforts to hold on to art of questionable provenance. "The Hungarian experience may be described as a total and concerted effort by successive governments to keep the looted art in their museums," Agnes Peresztegi, European director of the Commission for Art Recovery, said in a 2008 report. In contrast, she noted, the government is "very active in making claims for art displaced from Hungary during World War II" but loses interest in pursuing such claims when asked to return repatriated art to the heirs of Jewish owners. "Hungary has never faced its past and has never bothered to establish a historical commission to examine Hungary's war time activities," she argued, alluding to the atrocities committed by Hungary's Nazi henchmen before the Soviets marched in.
[Associated
Press;
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