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Summer months will see yellow and orange blossoms of nasturtiums, and lavenders, lilies and geraniums will fill the conservancy. In September and October, they will be replaced with chrysanthemums, salvia, sunflowers, asters, sages, dahlias and other fall flowers. Among the rare artifacts in the exhibition are two paintings of his garden executed by the artist 15 years apart. "The Artist's Garden in Giverny," on loan from the Yale University Art Gallery, was painted around the year 1900 and shows his flower garden with a dense arrangement of irises and decorative trees. "Irises," painted during World War I, is darker and moodier. On loan from a private Swiss collection and never before shown in the United States, it depicts a corner of the water garden that is replete with irises. In a nearby glass case is one of Monet's paint-encrusted palettes, "a place where literally the hand and the eye come together and where that mysterious poetic moment of realization takes place," Tucker said. It's on loan from the Musee Marmottan Monet in Paris. There are also documents and personal correspondence that provide a rich sense of how the gardens were conceived and how they functioned in Monet's life and art. A digitalized version of one of Monet's sketchbooks reveals his propensity to draw before he set out to paint. "We think of him almost exclusively as a painter so these sketchbooks reveal ... he would jot these pictorial ideas right in front of his motifs," Tucker said. "They provided a kind of touchstone for when he came back to the studio and began to organize the picture."
Hopefully, he said, visitors will come away from the exhibition "with a greater sense of how complex and inventive Monet was as an individual." ___ Online:
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