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Flynn thinks the appeal comes from giving readers a sneak-peek into someone else's marriage: the tugs of war, power plays and gender roles. Flynn also was ready to write a mystery from inside a relationship after two novels that she describes as exploring "loneliness and isolation." "I wanted to kind of play with the opposite of that, which is what happens when you choose to combine lives with someone. The good things that are possible and the bad things that are possible," Flynn said. The book's subject matter didn't make Flynn's husband flinch, she said. "It takes a big guy if your wife comes and says,
'I'm going to poke and pry around the darkest side of marriage for my next book. Is that cool?'" Flynn said. "He didn't blink an eye. He said,
'Go for it. Don't censor yourself. Put everything down.'" Her novel also tells the story of now: Characters are dealing with the aftermath of a recession. There are abandoned shopping malls, empty foreclosed homes and workers who have lost their jobs. "I wanted the whole thing to feel bankrupt," Flynn said. "I wanted it to really feel like a marriage that had been hollowed out in a city that had been hollowed out and a country that was increasingly hollowed out."
The result, Peters said, is a novel that shows Flynn is more concerned with the "why" of the crime rather than the "how" of the crime. "There's a real propulsion, the way she tell that story," Peters said. "You want to read it right through the end to see what's going on." ___ Online:
[Associated
Press;
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