|
"By that stage I'd seen about 10 other actresses," said Irons. "Some of them looked right, some looked wrong. But the one thing that no one else really got was what makes this story so extraordinary: how a woman can navigate the political environment and survive. Elizabeth Woodville did that very skillfully. "And that was at the heart of the scene," he said to Ferguson, "that you were asked to prepare: the delicacy with which Elizabeth had to walk that line, to manipulate Edward without his realizing he was being manipulated. It was so clear after the first audition that you had that instinct." Ferguson was called back for a second audition, then a third, while Irons was offering her his encouragement as the process dragged on. "We were texting quite a lot," she said. "And you were telling me how you'd given up." "Yeah, I had," she admitted. "And the worst thing was, I loved the character. She was someone I wanted to embody, and the idea that I might not get to made me sad." Then Ferguson was summoned for costuming and further screen tests. Even so, she still felt uncertain. "There were others still being considered, and some of them were terrible," Irons recalled. "My heart was always on you." "You spoke to me in general about the others," said Ferguson, "but you didn't run them down. I liked that. It made me feel safe. I figured I could work with you."
The biggest challenge to working together? Their sex scenes, they answered in unison. "We're very comfortable with each other," said Ferguson, "but getting naked in front of each other
--" " -- and 30 other people --" added Irons. " -- was a bit awkward." "Everything in those scenes was choreographed," noted Irons. "We had our own wishes about how it should be shot. I wanted my arms up constantly, so they would look in good shape," said Ferguson as Irons chimed in, "I wanted CGI muscles! "When you see those scenes," he summed up majestically, "just know that those are the things we're thinking about." ___ Online:
[Associated
Press;
Copyright 2013 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.