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"But it's also interesting because we're like a baby band, but we didn't really go on tours to build up our (profile)," Lambert said. "There's not really a rule book and our manager is kind of scared sometimes because it's like there's nothing to compare it to. You can't say,
'Well, they did this and it ruined their career,' 'They did this and it shot them to stardom.' It's, like,
'We don't know what the hell we're doing.' But we just know the music's good and we want people to hear it." Those who listen to the 12 songs on "Annie Up" will find a group that's gaining confidence with each new song and performance. Laced with humor and poignancy, the songs are both sassy and deep, finding the humor in even the toughest of circumstances. They sing about family secrets ("Hush Hush"), the downside of beauty ("Being Pretty Ain't Pretty"), low-life men ("Unhappily Married"), the occasional man who lives up to their standards ("Loved By a Working Man") and sin. So much sin ("I Feel a Sin Comin' On," "Dear Sobriety" and "Blues, You're a Buzzkill"). They share the songs on stage, taking turns on lead vocal and blending into the background harmony. Monroe thinks they've even started to sound alike. By the time you hear a song, it's hard to pick out who wrote what and who's singing where. It goes back to that chemistry thing.
"It makes me mad sometimes," Presley said. "I'll think nobody will ever think of anything better than I just said and then (Monroe) will be like,
'Look!,' and I'll be like, 'That's so much better!'" "We also challenge each other as songwriters," Monroe said. "We know we have to be on our A game." "I won't sing them a song I wrote by myself unless it's something I really, really like because they're great and it's good to be around people like that," Lambert said. "Angaleena says,
'If you don't grow, you die.'" ___ Online:
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