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						 Felicity 
						Jones on playing Jane, wife of Hawking 
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						[November 06, 2014] 
						By Mary Milliken 
						(Reuters) - Eddie Redmayne 
						may be up for a best actor Oscar for his turn as British 
						astrophysicist Stephen Hawking in "The Theory of 
						Everything," but he insists the "biggest privilege" of 
						the film for him was working with co-star Felicity 
						Jones. | 
			
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				 Jones plays Jane Hawking, the scientist's sweetheart from 
				university days who agrees to marry him even though he is 
				diagnosed with motor neuron disease and given two years to live. 
				The film, based on Jane's memoir, opens this weekend in select 
				U.S. theaters. 
 "She's a charismatic, brilliant match and that is what makes 
				their relationship so great," said Redmayne of Jane. "And Felic 
				just brought all the subtlety and dignity and clarity to that."
 
 Jones' performance has earned positive reviews and spurred talk 
				of a best-actress Oscar nomination. The 31-year-old English 
				actress spoke to Reuters about meeting Jane Hawking, the 
				attachment to the characters and the emotional milestone.
 
 Q: Your director, James Marsh, says you and your 
				character had to be the equal to Eddie and Stephen. How did you 
				do it?
 
 A: It all started with Jane. I met her early on in the 
				process and I liked her instantly. She had such a warmth, such 
				an interesting character, someone who just had layers and layers 
				of strength and determination. So there was a lot for me as an 
				actor to play.
 
				 Q: The moviegoing public knows Stephen, but Jane is the 
				unknown element of the story. How important was it for you to 
				emulate her physical appearance and voice?
 A: Oh, that was vital. I wanted to be true to who Jane 
				was and her essence. And for the story to make sense, being 
				close to the truth is always the best thing to do. There was an 
				eccentricity about her that I really liked. She does have this 
				very high-pitched voice and I worked with a dialect coach and 
				she called it an "above the breast voice" because (Jones raises 
				her pitch) everything is high in the head and it comes out here. 
				She had quite a '50s intonation. So it was just trying to 
				capture who Jane was as truthfully as possible.
 
 Q: How difficult was filming the "break-up" scene between 
				Jane and Stephen?
 
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			 A: That was a very heavy day. It was toward the end of 
				the shoot and in some ways for us as actors it was a traumatic 
				day. We had got so used to these people, we had inhabited them 
				for so long that to know that not only were we finishing 
				filming, but also we were showing the moment when this 
				incredibly complicated, complex union between two people was 
				disintegrating. It was emotional both for us as actors and for 
				the characters.
 Q: You subtly age over time and at the end even have a 
				crepey neck. What was the process?
 
 A: It was important to show how Jane did shift and 
				obviously you do change so much over 25 years.
 There is this substance called Stipple and you just put it around 
			your eyes and certain areas. It is like a glue and you scrunch up 
			the area and it holds the lines in it. And then you have extra 
			padding as the body changes as you get older. We did try 
			prosthetics, but it didn't quite work. I feel like with aging, you 
			can bring a lot as the actor through your physicality and how that 
			changes as you get older.
 Q: Do you think this role is a career milestone for you, a 
			before and after moment?
 
 A: I don't know now. Maybe I need a bit of time to have 
			perspective on it. It feels like a very important film in that it 
			was a special film, and we care so intensely about these people. It 
			didn't feel like we were just going to work and phoning it in. It 
			took over our lives for that time. In terms of just an emotional 
			experience as an actor, then it definitely feels like a milestone.
 
 (Editing by Eric Kelsey and Steve Orlofsky)
 
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