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						 Publishers 
						aim to take Chinese literature to the world 
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						[October 17, 2014] 
						By Kirsti Knolle 
						FRANKFURT (Reuters) - 
						China, the world's second-biggest book market after the 
						United States, has long been a consumer of works from 
						other countries, now it is making a push to export its 
						own literature abroad, helped by the e-book revolution. | 
			
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				 Industry players at the Frankfurt Book Fair said they had 
				observed a change in Chinese exhibitors' focus from acquiring 
				foreign rights to selling the products of China's developing 
				publishing sector. 
 With sales volumes of nearly $18 billion, China is the largest 
				buyer of rights and licenses for books published overseas.
 
 Now Chinese publishers, most state controlled, are jumping 
				aboard their government's "Go Out" policy instituted in 1999 to 
				promote Chinese investment abroad.
 
 Beijing is encouraging publishers to develop digital content to 
				create more competitive companies and prepare them for stock 
				market listing. It has urged banks to provide loans and pushed 
				for agreements with wireless operators like China Mobile to 
				propel the digitization of publishing.
 
 "While there has long been demand from international publishers 
				to license works to China, there is also a huge drive underway 
				to license titles in the opposite direction," said Tom Chalmers, 
				Managing Director at IPR License, a digital market place for 
				book rights.
 
				 "China is full of available titles with international appeal, 
				and many Chinese publishers have cited selling to international 
				publishers as their key priority."
 Thanks to a rapidly growing middle class spending heavily on its 
				children's education, publishers in China have developed a broad 
				range of learning materials they now feel ready to sell to the 
				world.
 
 BOOKS FOR CHILDREN
 
 In Frankfurt, the book trade's biggest annual gathering, about 
				40 publishers displayed their wares on the stand of the China 
				Publishing Group (CPG), including bilingual picture books 
				retelling classic Chinese tales with colorful illustration and 
				designed for children learning either Mandarin or English.
 
 The rapidly growing e-book market, the advance of digital audio 
				books and digital libraries are helping China's publishers to 
				become less dependent on their rather loose network of foreign 
				branches and agents.
 
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			These new technologies reduce their need to build a traditional 
			distribution chain to deliver books around the world and allow them 
			to concentrate on electronic platforms instead.
 The China International Publishing Group (CIPG) promotes a 
			multi-lingual database of Chinese books, a photo database and the 
			digital e-book and audio book library singdoo.com.
 
 "Most Chinese exhibitors are carrying out their mission of 'Going 
			Out', and Frankfurt Book Fair provides the best platform to get 
			access to international publishers," said Liu Zhong, CPG's Director 
			of International Cooperation. The group has teamed with China Mobile 
			to develop digital content such as comics, magazines and educational 
			material for mobile internet devices.
 
			CPG, which also publishes art collections, met German art and design 
			publishing house Taschen, Britain's Phaidon and Italian and U.S. 
			publishers, Liu Zhong said.
 The trip of nearly 8,000 km (5,000 miles) from Beijing to Frankfurt 
			to make new contacts was worth it, CPG said. Overall, Chinese 
			publishers rented 16 percent more floor space at the trade fair this 
			year than last, the Frankfurt Book Fair said.
 
 Industry experts say cross-border publishing can give businesses and 
			authors advantages in promotion and pricing and help them overcome 
			stagnation in mature markets.
 
 While the publishing industry was flat in traditional large markets 
			such as the United States, Britain and Germany last year, the 
			Chinese market grew 9 percent, data collected by Austrian industry 
			consultant Ruediger Wischenbart showed.
 
 (Editing by Janet Lawrence)
 
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